12-Toed Foe

This mysterious-sounding intermediate-level etude by Stacy Fahrion is ideal for introducing quarter-note triplets to students, and also is a wonderful recital piece. It eases students into playing 2 against 3 and 3 against 2 polyrhythms, and through playing it, students will learn how eighth-note triplets and quarter-note triplets relate. It begins in G Dorian and ends in D minor. Proxima Centauri is the closest star to the sun, but isn’t visible to the eye alone.

Something More is an uplifting contemporary lyrical solo for intermediates by British composer Joanne Griffiths.

Flutterbyes is an elegant, Chopin-esque waltz composed by Jane Tate. This showcase solo is ideal for intermediates of all ages!

Nocturne in G Minor, composed by Rick Robertson, is an intermediate-level lyrical solo. It serves well as an introduction to the Romantic period, especially the music of Chopin. There is even a short cadenza-type passage near the end.

Reassurance, composed by Rick Robertson, is an early intermediate level lyrical solo. It has a gentle sway in its rhythm, and a memorable melody. It could also be used as worship service music. It was inspired by the self-isolation and “social distancing” of the COVID-19 pandemic of 2020.

Chanson, composed by Rick Robertson, is an early intermediate-level lyrical solo. With its haunting melody and interesting harmonic turns this piece is useful for recitals, weddings, or church services.

This book presents strategies for learning to play polyrhythms, from the most common ones, such as two against three, up through four against five. It contains rhythm exercises, improvisation suggestions, and thirteen pieces based on polyrhythms. Once you’ve worked with the book, you might develop intense cravings for more polyrhythms, and may even be inspired to compose polyrhythmic pieces of your own.

Moonlight is a lyrical solo with a splash of Beethoven’s “Moonlight Sonata” throughout. This piece, composed by Chrissy Ricker, is ideal for intermediates and is part of the Let’s Quest Volume 3 songbook.

The Chase is a fast and flashy showcase piano solo that is part of the Dog Days songbook. Music by Jennifer Eklund.

Tristesse, composed by Rick Robertson is an intermediate level lyrical solo. Its “nocturne” or “romance” style lends it to recital or festival performance, as well as in service playing.

Paper Airplane by Sara Tomlinson is an expressive and flowing piece at the late intermediate level. Students will find the chromatic scales and left-hand crossovers fun and impressive. Suitable for students for intermediates of all ages.

Look to the Sky, composed by Rick Robertson, is a lyrical, elementary level solo. It has the bonus of an optional duet/obligato part, playable on piano, flute, or violin.

Viva Mexico, composed by Barbara Becker, is a suite of showcase solos for early intermediates and up. These delightful pieces, full of character and lush harmonies will brighten your next recital or festival performance!

Masquerade is a whimsical lyrical waltz in B minor composed by Chrisanne Nahum. This piece is ideally suited for intermediates and will delight students of all ages!

Classic Minuet, by Rick Robertson, is an early intermediate solo in classic minuet-and-trio style. It has some updated harmonies in the trio section, and is effective in recitals or festivals.

With an accompaniment inspired by the slow movement of Chopin’s Third Sonata, Ron Levy has composed a meditative piano solo with an enchanting melody in a stately setting. This intermediate level composition focuses on building and sustaining a long lyrical line over a steady, supportive left hand.

This ethereal piece by Stacy Fahrion quietly subverts the meaning of the famous poem by Lord Byron. Ideal for intermediates of all ages.

Barcarolle is a charming waltz composed by Barbara Becker full of evocative, lush harmonies, and is appropriate for intermediates of all ages. This selection is part of the Riding the Orient Express songbook.