Minuet in Gee!

Double Takes is a set of seven pairs of Rags and Blues, composed by Joanne Griffiths, and inspired by J.S.Bach’s Preludes and Fugues. Each pair is a study in contrasting styles, mood, rhythm, tempo, articulation, dynamic range and textures.

The collection progresses up the keyboard, through a range of keys beginning on C and ending with B, and covers many pedagogical techniques for an intermediate pianist whilst still remaining engaging and fun.

July is a ragtime solo for intermediate pianists composed by Sarah Reaser O’Brien.It is ideal study material for those who would enjoy historical rags but need a more manageable arrangement and hand span than those typically offer. There is syncopation throughout all of the three principle melodies with a steady quarter note accompaniment in the left hand for the majority of the piece.

Tricks & Treats features eleven Halloween-themed showcase solos composed by Stacy Fahrion. Full of quirky harmonies, odd meters, and playful takes on folk melodies, these pieces will be a treat for intermediates of all ages at any time of the year!

While the ragtime genre really did not exist during the California Gold Rush, this collection of evocative ragtime solos by Barbara Becker, offers a musical glimpse into that wild time as San Francisco appeared and then boomed with activity. Picture a gentle dance late at night in a saloon; the joyous hope and the frequent disappointment associated with prospecting for gold; Lola Montez’s moaning about some so-and-so who did her wrong; “Mr. Moneybags” John Sutter preening in the city; and tired miners drowning their sorrows on Saturday night, then shuffling off to bed. These fun pieces fit right in with the period’s expectations of instant wealth, juxtaposed against the back-breaking work, often for little return.

Songs I Love to Play Volume 2 features fun and motivating solos for early intermediates of all ages. Recital ready arrangements of popular themes and original compositions by Piano Pronto author Jennifer Eklund. This book contains selections for the NFMC Festivals Bulletin, 2020-2024.

12-Toed Foe is a twelve-tone solo over a blues progression composed by Sarah Reaser O’Brien. This pieces serves as a great introduction to contemporary idioms and includes a glossary of terms and the twelve-tone matrix used in the piece.

When You Smile, composed by Rick Robertson, is an intermediate level solo in a lyrical light-pop or jazz style. It is dedicated to jazz singer Dubby Spivak, widow of the American bandleader Charlie Spivak, who is a friend of the composer.

Valse Parisienne is a lyrical piano solo by Canadian composer Lisa Frederick. Inspired by Chopin’s Waltz in B minor, this waltz is ideal for intermediates of all ages and a great way to introduce the concept of rubato.

All aboard the Orient Express! This collection of imaginative and elegant solos, composed by Barbara Becker, will take your early intermediate students on a sonic tour around the world!

Classic Minuet, by Rick Robertson, is an early intermediate solo in classic minuet-and-trio style. It has some updated harmonies in the trio section, and is effective in recitals or festivals.

Toccata Staccata, composed by Rick Robertson is an intermediate level showcase solo. Its staccato parallel chords with a hint of Latin flavor give the advancing performer an exciting showpiece.

Windy Blues is a jazz-style solo ideal for early intermediates of all ages. Music composed by Canadian composer Lisa Frederick.

Lullaby, composed by Joanne Griffiths, is a lyrical and expressive piece, suitable for an intermediate player. It is based on the primary chords of D major, with the occasional chromatic twist.

Ebb & Flow is a collection of eleven contemporary solos by British composer, Joanne Griffiths. Intermediates of all ages will enjoy exploring the various genres encapsulated in this collection of ambient solos.

Barcarolle is a charming waltz composed by Barbara Becker full of evocative, lush harmonies, and is appropriate for intermediates of all ages. This selection is part of the Riding the Orient Express songbook.

Walkin’ the Dawg is a bright jazzy swing piece with a bluesy feel by Gary Johnston. Great introduction to learning walking bass lines for the intermediate pianist.

Chanson, composed by Rick Robertson, is an early intermediate-level lyrical solo. With its haunting melody and interesting harmonic turns this piece is useful for recitals, weddings, or church services.

Space Waltz, composed by Ron Levy, is a delightful showcase solo for intermediates. This cinematic-style solo will serve as a great performance piece for recitals.