Come Away

Chanson, composed by Rick Robertson, is an early intermediate-level lyrical solo. With its haunting melody and interesting harmonic turns this piece is useful for recitals, weddings, or church services.

Memories, by Rick Robertson is an intermediate level solo in a neo-Romantic lyrical style. It is very effective in performance, and makes an excellent repertoire choice for a developing pianist. It could also be used as wedding or service music.

Intermezzo in E, by Rick Robertson, is an intermediate level lyrical solo. It is written in a style that is similar to Brahms, but simpler and more hand-friendly. This would make an excellent recital or festival solo, and could be used as wedding or service music.

Something More is an uplifting contemporary lyrical solo for intermediates by British composer Joanne Griffiths.

Frenzy!, composed by Rick Robertson, is a fast & flashy late intermediate level toccata, with driving rhythms and quartal harmonies. It would make an exciting recital or festival selection.

Tristesse, composed by Rick Robertson is an intermediate level lyrical solo. Its “nocturne” or “romance” style lends it to recital or festival performance, as well as in service playing.

Chopin’s iconic Nocturne in F Minor, Op. 55, No. 1, remixed in a modern lyrical spin by Jennifer Eklund. This mild and mellow abridged version is ideal for intermediate level pianists.

The Very Blue Danube, is an intermediate level jazzy remix of the famous Strauss waltz arranged by Chrissy Ricker. This piece is part of the Rockin’ the Classics songbook.

Barcarolle is a charming waltz composed by Barbara Becker full of evocative, lush harmonies, and is appropriate for intermediates of all ages. This selection is part of the Riding the Orient Express songbook.

Toccata Lyrica, composed by Rick Robertson is an intermediate level showcase solo in a flashy, but lyrical style. It is very effective in performance, and makes an excellent recital or festival choice for a developing pianist.

Allegro Burlesco, by Rick Robertson, is an intermediate level showcase solo. Its crisp texture and rapid passagework will make an effective recital selection, and could even be used as a prelude or postlude for festive church occasions.

Long-Legged Spinners is a whimsically macabre solo composed by Stacy Fahrion. This solo is ideal for intermediates of all ages and is part of the Lullabies for Arachnophobes songbook.

Flute Song, by Rick Robertson is an intermediate level lyrical solo. This is similar to his “Intermezzos,” but shorter and less difficult. It is inspired by the flute playing of a classmate from his college years, one who he accompanied frequently. This piece is very useful as a short lyrical piece for a recital, festival, worship service, or even a wedding ceremony,

Day is Done, composed by Rick Robertson, is an intermediate level solo in a neo-Romantic lyrical style. A slow-moving theme with harmonic richness contrasts with a middle section that presses forward, returning to the first theme for a conclusion. This is appropriate for recital or festival, in addition to worship services as a prelude or offertory.

Monday’s Child is a suite of seven character pieces, composed by Joanne Griffiths, based on the children’s traditional British fortune-telling poem “Monday’s Child.” It is contemporary in style, particularly influenced by Ludovico Einaudi and Arvo Part. The pieces are mainly light and gentle in mood with meditative patterns, sequences, imitation and repetition at the core and topped with lyrical melodies, portraying the character of each child for that day.

Bittersweet, composed by Rick Robertson is an intermediate-level solo in a neo-Romantic lyrical style. The melody features a slight rhythmic lilt, and there is an added surprise of a key change at the end. It will make an excellent recital choice for the growing performer.

Sonatina is a charming three-movement classical composition by Barbara Becker. This piece is ideal for early intermediates of all ages.

Open Spaces, composed by Sarah Reaser O’Brien, is a part of a series of pieces focused on contemporary idioms. This piece serves to introduce students to playing in a free meter with the absence of barlines and is suitable as a contemporary festival selection.