Sheet Music composed by Joanne Griffiths
Something Reminiscent, by British composer Joanne Griffiths, has a reflective, lyrical melody over a repetitive, pattern based accompaniment with influences of Max Richter. Based around the C minor triad there are technical demands of evenness of touch and balance between hands, with a little left over right crossing for dramatic effect.
Sheet Stacker Savings Learn more
- Buy 5 or more sheet music products and save an additional 10%
- Buy 10 or more sheet music products and save an additional 20%
Digital Sheet Music
Something Reminiscent (Digital: Single User)
Something Reminiscent (Digital: Studio License)
|Method Book Match|
|Number of Pages||5|
About the composer
British-born composer Joanne Griffiths lives and works in the High Peak, U.K. with her husband and their two children. She earned a Master’s degree in composition from Salford University in 2012 and enjoys dividing her time between teaching, composing, and both singing in and directing choirs. In her spare time, she is passionate about making hats, and listening to live music.
You may also be interested in
Something like Glass
Something like Glass, written by British composer, Joanne Griffiths is a study in consistent and even playing of triplets in the right hand, with changing clefs in the left hand that explore the outer areas of the keyboard. Intermediates will enjoy the essence of Philip Glass that flows through this evocative solo.
Monday’s Child is a suite of seven character pieces, composed by Joanne Griffiths, based on the children’s traditional British fortune-telling poem “Monday’s Child.” It is contemporary in style, particularly influenced by Ludovico Einaudi and Arvo Part. The pieces are mainly light and gentle in mood with meditative patterns, sequences, imitation and repetition at the core and topped with lyrical melodies, portraying the character of each child for that day.
Something on the Slide
Something on the Slide is a Satie-esque waltz composed by British composer Joanne Grifiths. The accompaniment is built on two positions, C and G, with octave leaps from the bass to the chord. Awareness of balance between the hands is needed for this, to bring out the melody.
By the River
By the River, by Rick Robertson is an intermediate solo in a neo-Romantic lyrical style. Its gentle rocking in the left-hand accompaniment suggests the gentle flow of a river. It is very effective in performance, and makes an excellent repertoire choice for a developing pianist and could also be used as service music.
Reassurance, composed by Rick Robertson, is an early intermediate level lyrical solo. It has a gentle sway in its rhythm, and a memorable melody. It could also be used as worship service music. It was inspired by the self-isolation and “social distancing” of the COVID-19 pandemic of 2020.
This is a wistful waltz by Jenny Walker, with a slightly quirky melody and steady waltz-like base line. The middle section has a deeper, more self-assured feel and switches to the major key. The piece is to be played with extreme sensitivity, especially at the end when the marionette finally runs out of steam.