Sheet Music

Vanished is a haunting, minor key, contemporary lyrical piano solo for intermediates. Music by Jennifer Eklund and part of the New Horizons songbook.

Endearing Irish Charms, arranged by Jennifer Eklund, is a medley of two familiar Irish tunes “Believe Me, If All Those Endearing Young Charms" and "When Irish Eyes Are Smiling.” This intermediate solo provides ample opportunity to work on interpretation, rubato, and lyrical artistry.

When Irish Eyes are Smiling in a contemporary lyrical style ideal for intermediates of all ages. Arranged by Jennifer Eklund and part of the Dreamweaver songbook.

Lift Every Voice and Sing, arranged by Jennifer Eklund, in a lyrical style for intermediates and up.

Chopin’s iconic Nocturne in F Minor, Op. 55, No. 1, remixed in a modern lyrical spin by Jennifer Eklund. This mild and mellow abridged version is ideal for intermediate level pianists.

Beethoven’s iconic Moonlight Sonata in a modern lyrical spin arranged by Jennifer Eklund. This mild and mellow version, transposed to the key of D minor, is ideal for intermediate level pianists.

Moonlight Sonata piano solo arrangement for intermediates that retains the original key of C-sharp minor but adjusts some of the large stretches. Music arranged by Jennifer Eklund and includes music history pages.

A serene and elegant piano solo interpretation of J.S. Bach’s iconic Prelude from Cello Suite No. 1. This arrangement by Jennifer Eklund will allow intermediates and up to work on layered voices, lyrical phrasing, and rubato.

A modern twist on Erik Satie’s iconic Gymnopedie No. 1 arranged for intermediate piano by Jennifer Eklund.

Chopin’s iconic Fantaisie Impromptu, arranged in a contemporary lyrical style by Jennifer Eklund. This solo provides ample opportunity to work on interpretation, rubato, and lyrical artistry.

Skye Boat Song, a traditional Scottish classic, arranged in a lyrical style for intermediates by Jennifer Eklund.

Phoenix Rising, composed by Chrissy Ricker, is a fast and flashy showcase solo for intermediates.

Sleeping Beauty Waltz, by Pyotr Ilyich Tchaikovsky, arranged by Lisa Donovan Lukas for solo piano, is a delightful, lyrical showcase piece for the intermediate pianist.

Be Yourself is a contemporary lyrical solo by Lisa Donovan Lukas. This uplifting selection is ideal for intermediates of all ages.

Toccata Staccata, composed by Rick Robertson is an intermediate level showcase solo. Its staccato parallel chords with a hint of Latin flavor give the advancing performer an exciting showpiece.

Hope, composed by Rick Robertson, is a lyrical solo for intermediates with a mature sound. It is a “song without words” in a loose rondo form. It is suitable for recitals and worship services.

Kum-ba-yah, is a beloved African-American folk hymn. This arrangement by Rick Robertson is given a “variation” treatment at the intermediate level suitable for recital, Black History presentations, or worship services.

In a Canoe, composed by Rick Robertson, is a lower-intermediate level lyrical solo. Its swaying rhythm suggests the rowing of the oarsman (or oarswoman).

Be Thou My Vision, arranged by Rick Robertson, is a worshipful arrangement of the beloved hymn. It is one of the arranger’s favorite hymns, and is suitable for service or recital use.

Cheaha Skyline, by Rick Robertson, is an intermediate level lyrical piano solo, written in homage to his home state of Alabama. Cheaha Mountain, at 2,413 feet, is the highest point in Alabama.

Intermezzo in E-Flat, composed by Rick Robertson, is an intermediate level lyrical Romantic solo suitable for students of all ages.

Isolation was written in early 2020 by Stacy Fahrion. This expressive intermediate piece begins and ends in 5/4, and features palindromic rhythms (rhythms that are the same backwards and forwards) and a gentle two against three polyrhythm in the middle section.

July is a ragtime solo for intermediate pianists composed by Sarah Reaser O’Brien.It is ideal study material for those who would enjoy historical rags but need a more manageable arrangement and hand span than those typically offer. There is syncopation throughout all of the three principle melodies with a steady quarter note accompaniment in the left hand for the majority of the piece.

I Surrender All, in a poignant setting, arranged by Kevin Costley. This solo is ideal for intermediates of all ages.