Sheet Music composed by Sarah Reaser O'Brien
June is a dramatic solo for later intermediate pianists. The mysterious setting evokes the mood of a summer storm with tumultuous wind. Crashing pops of lightning punctuate the primary theme while arpeggiated flourishes mimic the downpour of sudden rain. This is one of a set of 12 month-titled pieces by Sarah Reaser O’Brien, NCTM.
Sheet Stacker Savings Learn more
- Buy 5 or more sheet music products and save an additional 10%
- Buy 10 or more sheet music products and save an additional 20%
Digital Sheet Music
June (Digital: Single User)
June (Digital: Studio License)
|Method Book Match|
|Number of Pages||4|
About the composer
Sarah Reaser O'Brien
Sarah Reaser O’Brien, NCTM, has been teaching piano since 1983 and currently runs a private studio in Salem, Virginia. She holds a Bachelor’s degree in Music with a concentration in Piano Performance as well as certificates in both Piano Teaching and Arts Management from Hollins University. Her composing philosophy is to create pedagogically sound music which inspires, motivates, and sparks joy in the student.
This product is part of a collection
Full Circle: A Year in Twelve Pieces
Full Circle: A Year in Twelve Pieces features engaging, attractively varied intermediate level solos by Sarah Reaser O’Brien, NCTM. This collection will challenge and delight students of all ages with pedagogically sound writing that will help them grow as musicians and performers alike. Perfect showcase pieces for recitals, festival performances, or just casual enjoyment.
You may also be interested in
Rhapsodies and Reveries: Volume Two
Rhapsodies and Reveries Volume Two features eleven contemporary lyrical solos for intermediate pianists of all ages composed by Chrissy Ricker. Inspired by the sights and sounds of nature, these solos range in style from quiet and reflective to powerful and dramatic.
August is a new age piano solo, composed by Sarah Reaser O’Brien NCTM, for intermediate and late intermediate pianists. The pedagogical focus of this selection is small hand accessibility. The waltz-time setting and straight eighths are ideal for helping players achieve a fluid technique and a sense of forward motion. The melodic content is “hidden” within the right hand eighths and gives ample opportunity for developing sophisticated voicing.