Seasons Change

Picking Daisies, composed by Travis Lohmann, is a light-hearted and jovial jazz-influenced waltz appropriate for mid-intermediate to advanced pianists, and focuses on such concepts as: cantabile legato lines, syncopated rhythms, dynamic expressivity, left and right hand leaps, triplet passage work and rolled chords. Best suited as a showcase solo, the highlight of this piece is the written-out solo over the chord changes, sure to dazzle the audience. With dexterous phrases, catchy melodic segments, and infectious rhythms, this piece is certain to brighten your day and those nearby!

Promise of Spring, composed by Ryan Chesser, is an elegant, uplifting solo that will delight intermediates of all ages. This piece works well for church services, recitals, or any other performance opportunity.

Strolling Down a Country Road is a medley of two Eklund favorites, Down a Country Road and Strolling. Contemporary lyrical music by Jennifer Eklund and part of the Dreamweaver songbook.

Autumn Leaves, composed by Ryan Chesser, is an elegant lyrical solo for early intermediates. This selection is part of the Winds of Change songbook.

For many people, November is a month for giving thanks. This intermediate piece by Sarah Reaser O’Brien, NCTM, is a contemporary rendering of a hymn-like melody. November symbolizes a musical token of gratitude for family and friends who have been with us through good times and bad and with whom we love to spend our time. The ternary form offers an uplifting first section followed by a middle theme of more serious and reflective implication. The middle theme modulates into a return of the first in a new key, representing a triumphant overcoming of life’s struggles with the help of those we hold dear.

Graceful and charming, this original bagatelle by Paul Sweet is as delightful as a spring day. Teachers and students will delight in shaping its multi-voice textures and expressive potential.

Autumn Reverie, composed by Chrissy Ricker, is an elegant minor-key waltz for early intermediates. This piece is part of the Rhapsodies and Reveries songbook.

Falling Leaves is an intermediate level lyrical contemporary solo that is part of the Shades of You and Impressions songbooks. Music by Jennifer Eklund.

Hope, composed by Rick Robertson, is a lyrical solo for intermediates with a mature sound. It is a “song without words” in a loose rondo form. It is suitable for recitals and worship services.

Ruby Skies is an uplifting contemporary lyrical solo, for intermediates and beyond, composed by Jennifer Eklund. This solo makes for a lovely recital selection or as music in church services. This piece is part of the “Sounds of the Spirit” songbook.

Come, Ye Thankful People, Come, a Thanksgiving favorite blended with “Simple Gifts” in a lush arrangement for late intermediates by Jennifer Eklund.

New Beginnings is an upbeat and uplifting contemporary pop-style solo by Canadian composer Lisa Frederick. This selection will delight intermediates of all ages and makes a great recital or festival piece.

Spring Has Sprung, composed by Jennifer Eklund, is an elegant contemporary lyrical solo for intermediates and up.

Based on the traditional English folk song and nursery rhyme, “Lavender’s Blue,” this delightful arrangement by Jenny Walker adds unexpected harmonies and key changes. The march-like 4/4 section gives a new, sombre feel which quickly gives way to a brighter, more flamboyant ending.

Autumn Leaves, composed by Sara Tomlinson, is a spirited lyrical solo for intermediates. This piece is part of the Creation Collage songbook.

The Reawakening is an uplifting contemporary lyrical solo that will be a hit with intermediates of all ages. Music composed by Jennifer Eklund and part of the Impressions songbook.

First Flower, composed by Ron Levy, is a meditative solo for intermediates, full of lush harmonies and a great exercise to introduce students to shifting meters and rubato. Cover photography from Back Bay, Newport Beach by Ron Levy.

Picking Lilacs, composed by Travis Lohmann, features light influences of jazz, as well as lyrically phrased melodies. Best suited for mid to late-intermediate pianists, this composition can work both as a contemplative opener for a concert, as well as middle interlude between selections. The light-hearted tone of this piece, as well as its whimsical nature is sure to be a perfect performance piece for any concert.