New Beginnings

Bittersweet is a dramatic contemporary lyrical solo composed by Canadian composer Lisa Frederick. This minor-key showcase piece will delight late-intermediates of all ages!

Guilty as Charged is a light-hearted contemporary lyrical solo ideal for late intermediate pianists. Words and music by Jennifer Eklund and part of the Dreamweaver songbook.

Pernicious Pumpkin is a whimsically macabre concoction of nursery rhymes by Stacy Fahrion. This eclectic, minor-key gem will be a hit with teens and intermediates of all ages.

Picking Daisies, composed by Travis Lohmann, is a light-hearted and jovial jazz-influenced waltz appropriate for mid-intermediate to advanced pianists, and focuses on such concepts as: cantabile legato lines, syncopated rhythms, dynamic expressivity, left and right hand leaps, triplet passage work and rolled chords. Best suited as a showcase solo, the highlight of this piece is the written-out solo over the chord changes, sure to dazzle the audience. With dexterous phrases, catchy melodic segments, and infectious rhythms, this piece is certain to brighten your day and those nearby!

Picking Lilacs, composed by Travis Lohmann, features light influences of jazz, as well as lyrically phrased melodies. Best suited for mid to late-intermediate pianists, this composition can work both as a contemplative opener for a concert, as well as middle interlude between selections. The light-hearted tone of this piece, as well as its whimsical nature is sure to be a perfect performance piece for any concert.

Long Road Home is a lyrical, intermediate level piano solo for pianists of all ages. Music composed by Jennifer Eklund and part of the Dreamweaver songbook.

“Picking Marigolds” is a composition written by Travis Lohmann. It explores the use of contemporary harmonies, alternating meters, as well as chordal extensions. While still providing a simple and flowing melody, it is taken through a variety of transformations both harmonic and melodic. Students and teachers alike will enjoy picking apart the musical sequences scattered throughout the piece, as well as the overwhelming sense of serenity this piece brings. Definitely could be used as an interlude for a recital program, or even for social gatherings.

The Reawakening is an uplifting contemporary lyrical solo that will be a hit with intermediates of all ages. Music composed by Jennifer Eklund and part of the Impressions songbook.

Triumphant, composed by Jennifer Eklund, is an uplifting pop-style solo for late intermediates.

Promise of Spring, composed by Ryan Chesser, is an elegant, uplifting solo that will delight intermediates of all ages. This piece works well for church services, recitals, or any other performance opportunity.

Beyond the Stars is a quiet and contemplative lyrical piano solo for late intermediate pianists. Music by Jennifer Eklund and part of the Dreamweaver songbook.

Daydreams is a showcase style lyrical piano solo composed by Lisa Frederick ideal for late intermediates of all ages.

My Father’s Waltz is a lyrical, pop-style piano solo for intermediate level by Lisa Donovan Lukas. This is a lovely expressive piece and offers an ideal lyrical showcase solo for students of all ages.

Keep the Change is a lyrical jazz waltz in B minor with a written out improvisation. Great as a launching point for intermediates into jazz studies.

Sweet Farewell is a lyrical contemporary solo for intermediates of all ages that is part of the Dreamweaver songbook. Music by Jennifer Eklund.

In his third installment of the Kaleidoscope series, composer Rick Robertson spins a web of evocative, elegant harmonies encapsulated within thirteen spectacular solos for advancing intermediates. This book contains selections for the NFMC Festivals Bulletin, 2020-2024.

Awkward Waltz is a tender, minor-key anthem for introverts composed by Stacy Fahrion. This contemplative gem will be a hit with teens and intermediates of all ages.

Based on the traditional English folk song and nursery rhyme, “Lavender’s Blue,” this delightful arrangement by Jenny Walker adds unexpected harmonies and key changes. The march-like 4/4 section gives a new, sombre feel which quickly gives way to a brighter, more flamboyant ending.