Sheet Music composed by Paul Sweet
Graceful and charming, this original bagatelle by Paul Sweet is as delightful as a spring day. Teachers and students will delight in shaping its multi-voice textures and expressive potential.
Digital Sheet Music
Spring Reverie (Digital: Single User)
Spring Reverie (Digital: Unlimited Reproductions)
|Method Book Match|
|Number of Pages||5|
About the composer
Paul Sweet is a multi-talented musician, enjoying work as a composer, pianist, and pedagogue. His catalogue of original works includes pieces for orchestra, wind symphony, chorus, chamber ensembles, and solo instruments. He teaches piano in Tulsa, Oklahoma and is frequently engaged as a solo and collaborative pianist throughout the Midwest.
You may also be interested in
Picking Daisies, composed by Travis Lohmann, is a light-hearted and jovial jazz-influenced waltz appropriate for mid-intermediate to advanced pianists, and focuses on such concepts as: cantabile legato lines, syncopated rhythms, dynamic expressivity, left and right hand leaps, triplet passage work and rolled chords. Best suited as a showcase solo, the highlight of this piece is the written-out solo over the chord changes, sure to dazzle the audience. With dexterous phrases, catchy melodic segments, and infectious rhythms, this piece is certain to brighten your day and those nearby!
Picking Lilacs, composed by Travis Lohmann, features light influences of jazz, as well as lyrically phrased melodies. Best suited for mid to late-intermediate pianists, this composition can work both as a contemplative opener for a concert, as well as middle interlude between selections. The light-hearted tone of this piece, as well as its whimsical nature is sure to be a perfect performance piece for any concert.
“Picking Marigolds” is a composition written by Travis Lohmann. It explores the use of contemporary harmonies, alternating meters, as well as chordal extensions. While still providing a simple and flowing melody, it is taken through a variety of transformations both harmonic and melodic. Students and teachers alike will enjoy picking apart the musical sequences scattered throughout the piece, as well as the overwhelming sense of serenity this piece brings. Definitely could be used as an interlude for a recital program, or even for social gatherings.
A Wise Old Owl
A Wise Old Owl is inspired by a nursery rhyme of the same title and set here as a whimsically macabre solo for intermediates by Stacy Fahrion. If you’re playing on a grand piano, before beginning the piece you can silently depress the low F octave and sustain it throughout with the sostenuto pedal for an added mysterious effect. This is an optional effect, and the piece still works well without it. The damper pedal is often left down for extended periods of time as well for a swirling effect.
Twilight (Crepuscule) is a simple, but beautiful song by Jules Massenet (1842-1912). Here it is arranged by Rick Robertson for piano solo. This will give the expressive student an opportunity to work on shaping long lines. It is also useful as service or wedding music. It also makes a nice encore.
This is a wistful waltz by Jenny Walker, with a slightly quirky melody and steady waltz-like base line. The middle section has a deeper, more self-assured feel and switches to the major key. The piece is to be played with extreme sensitivity, especially at the end when the marionette finally runs out of steam.