Hope

Spring Has Sprung, composed by Jennifer Eklund, is an elegant contemporary lyrical solo for intermediates and up.

A tender story of winter becoming spring by Ryan Chesser. Perfect for students to learn how to be expressive and evoke emotion using dynamics and tempo changes. This multi-level pack includes two different versions for early intermediates and intermediates.

Picking Daisies, composed by Travis Lohmann, is a light-hearted and jovial jazz-influenced waltz appropriate for mid-intermediate to advanced pianists, and focuses on such concepts as: cantabile legato lines, syncopated rhythms, dynamic expressivity, left and right hand leaps, triplet passage work and rolled chords. Best suited as a showcase solo, the highlight of this piece is the written-out solo over the chord changes, sure to dazzle the audience. With dexterous phrases, catchy melodic segments, and infectious rhythms, this piece is certain to brighten your day and those nearby!

This is a wistful waltz by Jenny Walker, with a slightly quirky melody and steady waltz-like base line. The middle section has a deeper, more self-assured feel and switches to the major key. The piece is to be played with extreme sensitivity, especially at the end when the marionette finally runs out of steam.

The Reawakening is an uplifting contemporary lyrical solo that will be a hit with intermediates of all ages. Music composed by Jennifer Eklund and part of the Impressions songbook.

Cheaha Skyline, by Rick Robertson, is an intermediate level lyrical piano solo, written in homage to his home state of Alabama. Cheaha Mountain, at 2,413 feet, is the highest point in Alabama.

A Brighter Day, composed by Rick Robertson, is an intermediate level solo in an inspirational lyrical style. It is very effective in performance, and its uplifting mood makes it an excellent repertoire choice for a developing pianist.

Seasons Change, composed by Rick Robertson, is an intermediate level lyrical solo. It is a study in melodic shaping, chord balance, and arpeggio accompaniment, and will appeal to pianists of all ages.

Brand New Day is a collection of twelve elegant intermediate and late-intermediate contemporary solos by Ryan Chesser. This go-to songbook will appeal to both amateur and professional pianists with works that will suit a variety of occasions and settings.

New Horizons songbook features contemporary lyrical piano solos composed by Jennifer Eklund that are ideal for intermediates of all ages.

Babbling Brook, composed by Sara Tomlinson, is an elegant lyrical solo for intermediates. This piece is part of the Creation Collage songbook.

Calm, composed by Jenny Walker, is a peaceful meditative solo for intermediates. The left hand provides a gentle, rocking accompaniment, much of which is in the treble clef. The mood is fairly constant throughout and there is room for some rubato when the left hand reach increases towards the middle of the work.

Impressions is a suite of contemporary lyrical solos by Jennifer Eklund that will be a hit with intermediates of all ages.

Dreamweaver is a collection of 14 contemporary lyrical solos composed by Jennifer Eklund for intermediates and above. This book contains selections for the NFMC Festivals Bulletin, 2020-2024.

Mama’s Song by Rick Robertson is an early-intermediate-level lyrical solo. It is based on a theme penned by the composers’s mother. This piece makes for a lovely recital selection or as service music, especially for Mother’s Day.

Fading into Twilight is a mysterious, minor key, contemporary lyrical solo that will be a hit with intermediates of all ages. Part of the Dreamweaver songbook. This piece has been selected for the NFMC Festivals Bulletin, 2020-2024.

“Picking Marigolds” is a composition written by Travis Lohmann. It explores the use of contemporary harmonies, alternating meters, as well as chordal extensions. While still providing a simple and flowing melody, it is taken through a variety of transformations both harmonic and melodic. Students and teachers alike will enjoy picking apart the musical sequences scattered throughout the piece, as well as the overwhelming sense of serenity this piece brings. Definitely could be used as an interlude for a recital program, or even for social gatherings.

The Lovelorn Lobster is a song from 1897 with words by Joseph W. Herbert. Stacy Fahrion wrote her own original whimsically macabre music to the poignant lyrics about love between a lobster and a piscatorial maiden going terribly awry. A timeless, classic theme for Valentine’s Day, or any occasion!