Whip-poor-will Dance

Elite Syncopations by Scott Joplin arranged for intermediates by Jennifer Eklund.

Crocodile Tears, composed by Amanda W. Smith, is an upbeat bluesy solo for intermediates. This piece is part of the Set Sail songbook.

July is a ragtime solo for intermediate pianists composed by Sarah Reaser O’Brien.It is ideal study material for those who would enjoy historical rags but need a more manageable arrangement and hand span than those typically offer. There is syncopation throughout all of the three principle melodies with a steady quarter note accompaniment in the left hand for the majority of the piece.

Spiderwebs Above Your Bed is a whimsically macabre ragtime solo in D minor by Stacy Fahrion that’s tailor-made for Halloween recitals! The delicate, eerie opening quickly spins into the main spiderweb theme, complete with spine-tingling arpeggios. Perfect for intermediate pianists, this piece isn’t just fun—it’s also a sneaky way to prep students for tackling Joplin’s iconic rags.

The Entertainer, Scott Joplin’s iconic ragtime tune, arranged for intermediates by Jennifer Eklund. This piece is part of Piano Pronto: Movement 3 and includes a teacher duet part.

Long-Legged Spinners is a whimsically macabre solo composed by Stacy Fahrion. This solo is ideal for intermediates of all ages and is part of the Lullabies for Arachnophobes songbook.

Walkin’ the Dawg is a bright jazzy swing piece with a bluesy feel by Gary Johnston. Great introduction to learning walking bass lines for the intermediate pianist.

Cool Cat Boogie, composed by Chrissy Ricker, is boogie-woogie style jazzy solo for early intermediates. This piece is part of the Cool Cats songbook.

Chromatic Rag, composed by Joanne Griffiths, is an exciting cacophony of contrary motion chromatic scales, tamed into a jaunty pastiche of Joplin. It is based on popular left-hand patterns, interspersed with symmetrical chromatic runs, and therefore suitable for an intermediate player.

The Entertainer, composed by Scott Joplin, presented in an easily accessible, hand-friendly version arranged for early intermediates Jennifer Eklund. Part of the Songs I Love to Play Volume 1 songbook.

Chromo Rag, composed by Lisa Shoemaker, is fast & flashy ragtime solo for intermediates. This piece is part of the Musical Mosaics Volume 2 songbook.

Street Cat Strut, composed by Chrissy Ricker, is a sassy funk-style solo for early intermediates and up. This piece is part of the Cool Cats songbook.

The Easy Winners, composed by Scott Joplin, presented in an easily accessible, hand-friendly version arranged for intermediates by Jennifer Eklund.

Double Takes is a set of seven pairs of Rags and Blues, composed by Joanne Griffiths, and inspired by J.S.Bach’s Preludes and Fugues. Each pair is a study in contrasting styles, mood, rhythm, tempo, articulation, dynamic range and textures.

The collection progresses up the keyboard, through a range of keys beginning on C and ending with B, and covers many pedagogical techniques for an intermediate pianist whilst still remaining engaging and fun.

The Sliding Thumbs Rag, composed by Lisa Shoemaker, is an upbeat ragtime-style solo for early intermediates. This piece is part of the Musical Mosaics songbook.

Creepy Critter Dance, composed by Paul Sweet, is a cheeky, creepy showcase solo for early intermediates. Spooky harmonies and upbeat patterns make it a great selection for Halloween recitals or any time of the year!

Rag Doll, composed by Jenny Walker, serves as a jovial introduction to the ragtime style. Mainly played on white keys, it is a cheeky piece that will delight intermediate pianists of all ages!

While the ragtime genre really did not exist during the California Gold Rush, this collection of evocative ragtime solos by Barbara Becker, offers a musical glimpse into that wild time as San Francisco appeared and then boomed with activity. Picture a gentle dance late at night in a saloon; the joyous hope and the frequent disappointment associated with prospecting for gold; Lola Montez’s moaning about some so-and-so who did her wrong; “Mr. Moneybags” John Sutter preening in the city; and tired miners drowning their sorrows on Saturday night, then shuffling off to bed. These fun pieces fit right in with the period’s expectations of instant wealth, juxtaposed against the back-breaking work, often for little return.