Rag Doll

The Sliding Thumbs Rag, composed by Lisa Shoemaker, is an upbeat ragtime-style solo for early intermediates. This piece is part of the Musical Mosaics songbook.

The Easy Winners, composed by Scott Joplin, presented in an easily accessible, hand-friendly version arranged for intermediates by Jennifer Eklund.

Roker Park Rag is a jaunty, early intermediate piano solo by British composer Joanne Griffiths. It is a fun character piece with chromaticism, staccato octave jumps, and lots of opportunity for comedic expression.

While the ragtime genre really did not exist during the California Gold Rush, this collection of evocative ragtime solos by Barbara Becker, offers a musical glimpse into that wild time as San Francisco appeared and then boomed with activity. Picture a gentle dance late at night in a saloon; the joyous hope and the frequent disappointment associated with prospecting for gold; Lola Montez’s moaning about some so-and-so who did her wrong; “Mr. Moneybags” John Sutter preening in the city; and tired miners drowning their sorrows on Saturday night, then shuffling off to bed. These fun pieces fit right in with the period’s expectations of instant wealth, juxtaposed against the back-breaking work, often for little return.

July is a ragtime solo for intermediate pianists composed by Sarah Reaser O’Brien.It is ideal study material for those who would enjoy historical rags but need a more manageable arrangement and hand span than those typically offer. There is syncopation throughout all of the three principle melodies with a steady quarter note accompaniment in the left hand for the majority of the piece.

The Entertainer, composed by Scott Joplin, presented in an easily accessible, hand-friendly version arranged for early intermediates Jennifer Eklund. Part of the Songs I Love to Play Volume 1 songbook.

Chromatic Rag, composed by Joanne Griffiths, is an exciting cacophony of contrary motion chromatic scales, tamed into a jaunty pastiche of Joplin. It is based on popular left-hand patterns, interspersed with symmetrical chromatic runs, and therefore suitable for an intermediate player.

Debbie Center’s exciting ragtime piece which came to her in a dream about fun times with her family on her Minnesota lake, Fifth Crow Wing. This playful, upbeat showcase will delight intermediates of all ages.

Songs I Love to Play Volume 2 features fun and motivating solos for early intermediates of all ages. Recital ready arrangements of popular themes and original compositions by Piano Pronto author Jennifer Eklund. This book contains selections for the NFMC Festivals Bulletin, 2020-2024.

The Entertainer, Scott Joplin’s iconic ragtime tune, arranged for intermediates by Jennifer Eklund. This piece is part of Piano Pronto: Movement 3 and includes a teacher duet part.

Double Takes is a set of seven pairs of Rags and Blues, composed by Joanne Griffiths, and inspired by J.S.Bach’s Preludes and Fugues. Each pair is a study in contrasting styles, mood, rhythm, tempo, articulation, dynamic range and textures.

The collection progresses up the keyboard, through a range of keys beginning on C and ending with B, and covers many pedagogical techniques for an intermediate pianist whilst still remaining engaging and fun.

Minuet in Gee! is a light-hearted ragtime spin on Beethoven’s classic Minuet in G. This solo, composed by Ron Levy, is ideal for intermediates of all ages. Cover photo is an original painting entitled “Dancers” by Carol Julien.

Maple Leaf Rag, composed by Scott Joplin presented in an easily accessible, hand-friendly version arranged for intermediates by Jennifer Eklund. Part of the Songs I Love to Play Volume 2 songbook.

Every pianist needs Happy Birthday in their repertoire, and this ragtime version by Chrissy Ricker is a fresh take on the familiar classic! Perfect for early intermediates of all ages.

Elite Syncopations by Scott Joplin arranged for intermediates by Jennifer Eklund.

Monday’s Child is a suite of seven character pieces, composed by Joanne Griffiths, based on the children’s traditional British fortune-telling poem “Monday’s Child.” It is contemporary in style, particularly influenced by Ludovico Einaudi and Arvo Part. The pieces are mainly light and gentle in mood with meditative patterns, sequences, imitation and repetition at the core and topped with lyrical melodies, portraying the character of each child for that day.

The Lovelorn Lobster is a song from 1897 with words by Joseph W. Herbert. Stacy Fahrion wrote her own original whimsically macabre music to the poignant lyrics about love between a lobster and a piscatorial maiden going terribly awry. A timeless, classic theme for Valentine’s Day, or any occasion!

All Creatures of Our God and King, arranged by Lisa Shoemaker, begins and ends very simply, allowing for much expression. Syncopation throughout the middle of the piece gives a contemporary flair to this well-loved tune.