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- Stacy Fahrion
- Long-Legged Spinners
Sheet Music composed by Stacy Fahrion
Long-Legged Spinners is a whimsically macabre solo composed by Stacy Fahrion. This solo is ideal for intermediates of all ages and is part of the Lullabies for Arachnophobes songbook.
Digital Sheet Music
Long-Legged Spinners (Digital: Single User)
Long-Legged Spinners (Digital: Unlimited Reproductions)
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About the composer
Stacy Fahrion writes in a style she calls “Whimsically Macabre.” Many of her compositions have been concocted from the remains of nursery rhymes. Her music has been described as “offbeat quirky seriously beautifully funny mischievously madly serious.” Stacy holds a Master’s degree in Piano Performance and Pedagogy from the University of Iowa, and teaches piano lessons in Denver. She enjoys performing at house concerts, and when she’s not conjuring up new pieces, she can usually be found hiking in the mountains.
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The Lovelorn Lobster
The Lovelorn Lobster is a song from 1897 with words by Joseph W. Herbert. Stacy Fahrion wrote her own original whimsically macabre music to the poignant lyrics about love between a lobster and a piscatorial maiden going terribly awry. A timeless, classic theme for Valentine’s Day, or any occasion!
Waltz for a Six-Legged Octopus
Waltz for a Six-Legged Octopus by Stacy Fahrion begins whirling gently in 6/8 time, but the real hexapus waltzing starts when the piece shifts to 9/8. This waltz, ideal for intermediates, is for anyone who has ever felt like they’re missing something that everyone else has.
A Wise Old Owl
A Wise Old Owl is inspired by a nursery rhyme of the same title and set here as a whimsically macabre solo for intermediates by Stacy Fahrion. If you’re playing on a grand piano, before beginning the piece you can silently depress the low F octave and sustain it throughout with the sostenuto pedal for an added mysterious effect. This is an optional effect, and the piece still works well without it. The damper pedal is often left down for extended periods of time as well for a swirling effect.
This is a wistful waltz by Jenny Walker, with a slightly quirky melody and steady waltz-like base line. The middle section has a deeper, more self-assured feel and switches to the major key. The piece is to be played with extreme sensitivity, especially at the end when the marionette finally runs out of steam.
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