To Spring

A modern mellow spin on the third movement of the Spring concerto from Vivaldi’s “The Four Seasons” arranged by Jennifer Eklund. This multi-level pack includes four different versions (late beginner through advanced) and provides ample opportunity for developing pianists to work on lyrical artistry and interpretation.

Pomp & Circumstance, a perennial graduation favorite, arranged in a lyrical style for late intermediate piano by Jennifer Eklund.

Ryan Chesser’s piano adaptation of the famous soprano duet, Flower Duet, from the French opera Lakme. Students will love these beautiful harmonies and this introduction to opera. This selection is also popular for weddings!

Picking Lilacs, composed by Travis Lohmann, features light influences of jazz, as well as lyrically phrased melodies. Best suited for mid to late-intermediate pianists, this composition can work both as a contemplative opener for a concert, as well as middle interlude between selections. The light-hearted tone of this piece, as well as its whimsical nature is sure to be a perfect performance piece for any concert.

Clocks by Joanne Griffiths has a contemporary feel with echoes of Philip Glass. Control, balance and concentration will be needed to maintain the 2 against 3 cross rhythms. Ideal for intermediates of all ages!

Dance of the Sugar Plum Fairy, from Tchaikovsky’s Nutcracker ballet, arranged for late intermediate piano by Jennifer Eklund.

Are you a wedding pianist? Look no further: these lyrical arrangements of the wedding processional and recessional marches will be your new go-to favorites! Ideal for later intermediates and up.

An elegant piano solo interpretation of the first movement of Vivaldi’s Violin Concerto in A Minor (RV. 356). This full-length arrangement by Jennifer Eklund will allow late intermediates and up to work on lyrical phrasing, dynamics, and rubato. The approximate run time of this solo is 4:00.

Jazz up your holiday season with this upbeat reimagined version of the Overture from Tchaikovsky’s Nutcracker ballet. This showcase solo is ideal for late intermediates and arranged by Jennifer Eklund.

Based on the traditional English folk song and nursery rhyme, “Lavender’s Blue,” this delightful arrangement by Jenny Walker adds unexpected harmonies and key changes. The march-like 4/4 section gives a new, sombre feel which quickly gives way to a brighter, more flamboyant ending.

Mozart’s Salzburg Symphony first movement theme arranged as an intermediate piano solo by Jennifer Eklund. Part of the Piano Pronto: Encore method book.

Waiting is a haunting, contemporary style piano solo for late intermediate/early advanced students by Lisa Donovan Lukas. This is a beautifully expressive lyrical showcase piece for maturing students of all ages.

“Picking Marigolds” is a composition written by Travis Lohmann. It explores the use of contemporary harmonies, alternating meters, as well as chordal extensions. While still providing a simple and flowing melody, it is taken through a variety of transformations both harmonic and melodic. Students and teachers alike will enjoy picking apart the musical sequences scattered throughout the piece, as well as the overwhelming sense of serenity this piece brings. Definitely could be used as an interlude for a recital program, or even for social gatherings.

Ode to Joy arranged in a contemporary lyrical style for late intermediates by Jennifer Eklund.

The Madison Suite, composed by Barbara Becker, is a three-movement set of character pieces for late intermediate pianists that spans a variety of genres and will showcase the artistic skills of developing artists.

J.S. Bach’s iconic Toccata & Fugue in D minor stylishly remixed by Jennifer Eklund. This arrangement is ideal for late intermediate players and up.

Debussy’s Girl with the Flaxen Hair arranged for intermediates that retains the original key but simplifies many of the large stretches . Part of the Piano Pronto: Encore method book.

Picking Daisies, composed by Travis Lohmann, is a light-hearted and jovial jazz-influenced waltz appropriate for mid-intermediate to advanced pianists, and focuses on such concepts as: cantabile legato lines, syncopated rhythms, dynamic expressivity, left and right hand leaps, triplet passage work and rolled chords. Best suited as a showcase solo, the highlight of this piece is the written-out solo over the chord changes, sure to dazzle the audience. With dexterous phrases, catchy melodic segments, and infectious rhythms, this piece is certain to brighten your day and those nearby!