Clocks

This book presents strategies for learning to play polyrhythms, from the most common ones, such as two against three, up through four against five. It contains rhythm exercises, improvisation suggestions, and thirteen pieces based on polyrhythms. Once you’ve worked with the book, you might develop intense cravings for more polyrhythms, and may even be inspired to compose polyrhythmic pieces of your own.

Whimsy & Wonder features ten delightfully macabre solos for intermediates composed by Stacy Fahrion. These quirky, neoclassical twists on favorite nursery rhymes will delight pianists of all ages who are looking for unique performance pieces.

Waiting is a haunting, contemporary style piano solo for late intermediate/early advanced students by Lisa Donovan Lukas. This is a beautifully expressive lyrical showcase piece for maturing students of all ages.

In his third installment of the Kaleidoscope series, composer Rick Robertson spins a web of evocative, elegant harmonies encapsulated within thirteen spectacular solos for advancing intermediates. This book contains selections for the NFMC Festivals Bulletin, 2020-2024.

This new lyrical solo from Ryan Chesser is perfect for sipping coffee at your window on wintry days. There are lots of opportunities here for expressiveness, rubato, and plenty of sparkly, crisp notes.

Falling Slowly is a whimsically macabre lyrical solo composed by Stacy Fahrion. This solo is ideal for intermediates of all ages and is part of the These Are Odd Times songbook.

Mozart’s Salzburg Symphony first movement theme arranged as an intermediate piano solo by Jennifer Eklund. Part of the Piano Pronto: Encore method book.

Song of the Northwoods Chickadees is a soothing, ambient lyrical composition by Debbie Center that features lilting bird calls throughout. This piece is ideal for intermediates of all ages.

“Picking Marigolds” is a composition written by Travis Lohmann. It explores the use of contemporary harmonies, alternating meters, as well as chordal extensions. While still providing a simple and flowing melody, it is taken through a variety of transformations both harmonic and melodic. Students and teachers alike will enjoy picking apart the musical sequences scattered throughout the piece, as well as the overwhelming sense of serenity this piece brings. Definitely could be used as an interlude for a recital program, or even for social gatherings.

Goodnight, Sweet Dreams is a Composers Today award winning composition by Lisa Donovan Lukas. An inspirational contemporary lyrical showcase solo, ideal for the advanced student.

Debussy’s Girl with the Flaxen Hair arranged for intermediates that retains the original key but simplifies many of the large stretches . Part of the Piano Pronto: Encore method book.

Serious Moonlight, composed by Ron Levy, is a contemporary lyrical solo, inspired by Claude Debussy’s Clair de lune, for intermediates and late intermediates.

Jazz up your holiday season with this upbeat reimagined version of the Overture from Tchaikovsky’s Nutcracker ballet. This showcase solo is ideal for late intermediates and arranged by Jennifer Eklund.

Nuit d’etoiles (Starry Night) by Rick Robertson is a late intermediate-level lyrical solo that will appeal to pianists of all ages, and is an excellent introduction to the Impressionist style. Includes glossary of French terms and music history lesson about the Impressionist era.

Autrefois (In Olden Days), composed by Rick Robertson, is a late intermediate lyrical solo that is an appropriate repertoire piece for recitals, contests, and festivals. It recalls the Paris of the late nineteenth century, with its evocation of early Impressionism. This piece is part of the Kaleidoscope Volume 3 songbook. This piece has been selected for the NFMC Festivals Bulletin, 2020-2024.

Clair de lune, by Claude Debussy, arranged for intermediate piano solo by Jennifer Eklund. Part of the Piano Pronto: Encore method book.

Intermezzo in B Flat Minor, composed by Rick Robertson, is an late-intermediate level Romantic lyrical piano solo. It appeals to pianists of all ages, and is suitable for recital and audition use.

Portrait No.1, Definitive Road, is a solo composed in the harmonic and melodic tendencies of Thomas Newman. Students will enjoy exploring the mysterious yet emotional chord qualities of this piece, as well as the variations of the melodic theme. This mid-intermediate to advanced level solo by Travis Lohmann is perfect for recital programming, preludes, and more.