Waiting

In his third installment of the Kaleidoscope series, composer Rick Robertson spins a web of evocative, elegant harmonies encapsulated within thirteen spectacular solos for advancing intermediates. This book contains selections for the NFMC Festivals Bulletin, 2020-2024.

Clocks by Joanne Griffiths has a contemporary feel with echoes of Philip Glass. Control, balance and concentration will be needed to maintain the 2 against 3 cross rhythms. Ideal for intermediates of all ages!

A playful intermediate level composition by Debbie Center. You’ll love the surprises as it echoes the call of the Song Sparrow and gets it dancing. Free nature play-along track included with purchase!

Portrait No.1, Definitive Road, is a solo composed in the harmonic and melodic tendencies of Thomas Newman. Students will enjoy exploring the mysterious yet emotional chord qualities of this piece, as well as the variations of the melodic theme. This mid-intermediate to advanced level solo by Travis Lohmann is perfect for recital programming, preludes, and more.

Aloha Oe (Farewell to Thee), arranged in a lyrical style for late intermediate piano by Jennifer Eklund.

Triumphant, composed by Jennifer Eklund, is an uplifting pop-style solo for late intermediates.

Guilty as Charged is a light-hearted contemporary lyrical solo ideal for late intermediate pianists. Words and music by Jennifer Eklund and part of the Dreamweaver songbook.

Are you a wedding pianist? Look no further: these lyrical arrangements of the wedding processional and recessional marches will be your new go-to favorites! Ideal for later intermediates and up.

Nuit d’etoiles (Starry Night) by Rick Robertson is a late intermediate-level lyrical solo that will appeal to pianists of all ages, and is an excellent introduction to the Impressionist style. Includes glossary of French terms and music history lesson about the Impressionist era.

Wistful Waltz, composed by Stacy Fahrion, is a mysterious, Chopin-esque waltz with a very un-Chopin-like modal middle section and an abundance of tritones. Ideal for early advanced level pianists of all ages.

Taken Aback is an elegant lyrical showcase solo for late intermediates composed by British composer Jenny Walker.

Blow the Wind Southerly is a traditional folk song from Northumberland, England arranged by Jenny Walker. Another familiar melody, “When the Boat Comes In” is combined with the main theme in the middle of the piece. The work tells the story of a woman desperately hoping for a southerly wind to blow her lover back home over the ocean to her. This is a variation-style piece going through several keys, suitable for the late-intermediate pianists.

J.S. Bach’s iconic Jesu, Joy of Man’s Desiring, from Cantata No. 147, arranged in a contemporary lyrical style by Jennifer Eklund. This solo provides ample opportunity to work on interpretation, rubato, and lyrical artistry.

Ballad, composed by Rick Robertson, is a late intermediate solo that is suitable for recitals or festivals. It is reminiscent of romantic movie music and builds to a large climax before ending quietly.

Falling Slowly is a whimsically macabre lyrical solo composed by Stacy Fahrion. This solo is ideal for intermediates of all ages and is part of the These Are Odd Times songbook.

A modern remix of Debussy’s iconic Clair de lune for late intermediate and early advanced pianists. This arrangement by Jennifer Eklund is in the original key and includes all sections of the piece.

Keep the Change is a lyrical jazz waltz in B minor with a written out improvisation. Great as a launching point for intermediates into jazz studies.

Ah, Capella! is a dream-like piece by Debbie Center, inspired by gazing at Capella, one of the brightest stars in the northern sky. Its lush jazz chords fit easily in the hands.