Toccata in D minor

Mini Toccata in D, is a simplified spin on J.S. Bach’s “Toccata in D Minor” for beginners. This piece is part of the First Halloween Solos songbook by Jennifer Eklund and includes an optional teacher duet part.

J.S. Bach’s iconic Toccata & Fugue in D minor stylishly remixed by Jennifer Eklund. This arrangement is ideal for late intermediate players and up.

Spookata & Fugue in D Minor, is a spooktacular piano trio for early intermediates by Kris Skaletski. This playful take on J.S. Bach’s iconic Toccata will delight audiences during the Halloween season and beyond!

Little Toccata in D, is a simplified spin on J.S. Bach’s “Toccata in D Minor” for late beginners. This piece is part of the Easy Spooktacular Solos songbook by Jennifer Eklund.

Main themes from J.S. Bach’s iconic Toccata in D presented in a condensed version for late beginners. Music arranged by Jennifer Eklund.

J.S. Bach’s iconic Jesu, Joy of Man’s Desiring, from Cantata No. 147, arranged in a contemporary lyrical style by Jennifer Eklund. This solo provides ample opportunity to work on interpretation, rubato, and lyrical artistry.

Clocks by Joanne Griffiths has a contemporary feel with echoes of Philip Glass. Control, balance and concentration will be needed to maintain the 2 against 3 cross rhythms. Ideal for intermediates of all ages!

Chopin’s Fantasie Impromptu as a piano solo arrangement for intermediates that retains the original key and presents the main lyrical theme. Part of the Piano Pronto: Encore method book.

Dance of the Sugar Plum Fairy, from Tchaikovsky’s Nutcracker ballet, arranged for late intermediate piano by Jennifer Eklund.

Composer Stacy Fahrion transforms Three Blind Mice, Itsy Bitsy Spider, and a snippet of Rain, Rain, Go Away into a mystical minor showpiece.

What defines a Halloween piece, other than a piece in a minor key with an eerie title? Inspired by the whimsically macabre words of Edward Gorey, this piece by Stacy Fahrion beckons you into a haunting waltz that defies convention with its 5/8 time signature. It offers rhythmic twists that promise to challenge and enchant late intermediate pianists, turning their practice into a ghostly dance of mystery at the keys. This piece is part of the “These Are Odd Times” songbook.

Chopin’s iconic Nocturne in F Minor, Op. 55, No. 1, remixed in a modern lyrical spin by Jennifer Eklund. This mild and mellow abridged version is ideal for intermediate level pianists.

Fading into Twilight is a mysterious, minor key, contemporary lyrical solo that will be a hit with intermediates of all ages. Part of the Dreamweaver songbook. This piece has been selected for the NFMC Festivals Bulletin, 2020-2024.

Need music for a wedding, a party, church offertory, or any occasion where beautiful background music is a necessity? This is your new go-to gig book! Let There be Music features 45 performance-ready pieces by Jennifer Eklund that will suit any occasion. Selections include classical favorites, contemporary lyrical pieces, and sacred works. Available as a convenient eBook so you can stop lugging music books around.

Queen of the Night’s Vengeance Aria, from Mozart’s opera The Magic Flute, arranged as an intermediate piano solo arrangement by Jennifer Eklund. Part of the Piano Pronto: Encore method book.

A modern lyrical spin on the Winter concerto theme from Vivaldi’s “The Four Seasons” arranged by Jennifer Eklund. This intermediate solo provides ample opportunity to work on interpretation, rubato, and lyrical artistry.

Jazz up your holiday season with this upbeat reimagined version of the Overture from Tchaikovsky’s Nutcracker ballet. This showcase solo is ideal for late intermediates and arranged by Jennifer Eklund.

The idea for this book came from listening to some of my favorite piano literature. Enchanted by the absolutely beautiful, lyrical melodies of Chopin’s Opus 28, I found myself wishing my own intermediate students could enjoy them now, and not just the handful of Preludes that are more accessible for students. As I edited these Preludes with intermediate hands and minds, it was my desire to preserve their full length, in the original keys, and with as much of Chopin’s original markings as possible. I hope you agree the result is a celebration of Chopin’s original work, but now accessible for the intermediate student!