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High Five, composed by Rick Robertson, is an intermediate level jazz showcase solo in 5/4 time. It has a rhythmic drive and is an audience pleaser.

This slightly sinister stride duet by Stacy Fahrion incorporates a few simplified snippets of Chopin’s Etude in A Minor, Op. 10, No. 2.

This wistfully whimsical piece by Stacy Fahrion expresses The Farmer in the Dell’s unrequited love for Adele. Ideal for intermediates of all ages.

Wayward Blackbird interweaves Chopin-esque basslines with familiar nursery rhymes This Old Man and Sing a Song of Sixpence in this whimsically macabre showcase solo by Stacy Fahrion.

Composer Stacy Fahrion transforms Three Blind Mice, Itsy Bitsy Spider, and a snippet of Rain, Rain, Go Away into a mystical minor showpiece.

Composer Stacy Fahrion interweaves Hickory Dickory Dock and snippets of For He’s a Jolly Good Fellow into this whimsically macabre solo that will delight late intermediates of all ages.

Get your body moving with this upbeat boogie-style solo by Paul Sweet. It’s great for working on syncopations, building left-hand agility, teaching the blues scale, and having some major fun!

Something Wicked This Way Strides is an exuberant, late intermediate solo that evokes the Roaring Twenties. Pianists will not only train their left hand to play typical stride leaps, they’ll also learn a few tricky bits of Chopin’s <em>Etude in A Minor, Op. 10, No. 2</em>, while they’re at it!

Pernicious Pumpkin is a whimsically macabre concoction of nursery rhymes by Stacy Fahrion. This eclectic, minor-key gem will be a hit with teens and intermediates of all ages.

On Your Case by Lisa Frederick is a minor-key jazzy showcase solo for late intermediates of all ages. Ideal for students who want spy-themed pieces, this will be a sure-fire hit at your next recital!

Easy on the ears and downright fun to play, Toccata Breve by Paul Sweet packs catchy melodies, interesting harmonies, and showy passagework into a solo both teachers and students will love!

Cruisin’ is a laid back jazz-waltz solo by Canadian composer, Lisa Frederick. Ready for a lazy ride in a cool car? This is your ticket to ride!

While the ragtime genre really did not exist during the California Gold Rush, this collection of evocative ragtime solos by Barbara Becker, offers a musical glimpse into that wild time as San Francisco appeared and then boomed with activity. Picture a gentle dance late at night in a saloon; the joyous hope and the frequent disappointment associated with prospecting for gold; Lola Montez’s moaning about some so-and-so who did her wrong; “Mr. Moneybags” John Sutter preening in the city; and tired miners drowning their sorrows on Saturday night, then shuffling off to bed. These fun pieces fit right in with the period’s expectations of instant wealth, juxtaposed against the back-breaking work, often for little return.

When You Smile, composed by Rick Robertson, is an intermediate level solo in a lyrical light-pop or jazz style. It is dedicated to jazz singer Dubby Spivak, widow of the American bandleader Charlie Spivak, who is a friend of the composer.

Moose on the Loose is a jazzy showcase piano solo by Lisa Frederick. This delightful hard-romping swing solo is an ideal spotlight piece for late-intermediates of all ages.

Barrelhouse Blues is an evenly-leveled, boogie-woogie style piano duet by Canadian composer Lisa Frederick. This joyful romp is ideal for intermediates of all ages and is sure to be full-time fun at your next recital!

April is an intermediate jazz solo with a leisurely, easygoing feel. The syncopated rhythmic accompaniment is offset by a straight-eighth melody with built-in improvisational bits. This is one of a set of 12 month-titled pieces by Sarah Reaser O’Brien, NCTM.

All aboard! Choo-Choo-Boogie is a blues-boogie style piano solo by Canadian composer, Lisa Frederick. This showcase solo, ideal for advancing intermediates will delight students of all ages!

Londonderry Air (O, Danny Boy) arranged in a lyrical and up-tempo jazzy style for intermediates. Arranged by Jennifer Eklund.

Keep the Change is a lyrical jazz waltz in B minor with a written out improvisation. Great as a launching point for intermediates into jazz studies.

Ah, Capella! is a dream-like piece by Debbie Center, inspired by gazing at Capella, one of the brightest stars in the northern sky. Its lush jazz chords fit easily in the hands.

Portrait No. 6: Apeñas Amigos is an Intermediate to Late Intermediate work- paying tribute to Brazilian composer Egberto Gismonti, and it combines elements of both Classical and Jazz idioms. A hauntingly lyrical melody plays throughout the beginning and end of the work, while students will also be exploring various angular sequences as well. Teachers will enjoy this work for its lush harmonic content, perpetual rhythmic drive, as well as teaching various articulations and how to handle various tempi.  Intertwined within this work is a brief section of frenetic chaos, as well as a jovial (and dissonant) left-hand melody, which is sure to give students a real workout!

Once Upon a Whimsically Macabre Time is a collection of intermediate piano solos centered around a theme of macabre stories and characters. In this collection, Stacy Fahrion displays a penchant for minor keys and dance-like rhythms.

Lullabies for Arachnophobes by Stacy Fahrion is a whimsically macabre collection written in homage of spindly spiders of all shapes and sizes. Rife with quirky rhythms, harmonies, and re-spindled versions of spidery classics, this collection will delight advanced players of all ages.