Cruisin’

On Your Case by Lisa Frederick is a minor-key jazzy showcase solo for late intermediates of all ages. Ideal for students who want spy-themed pieces, this will be a sure-fire hit at your next recital!

Seaside, composed by Rick Robertson, is a late intermediate contemporary lyrical solo. With its gentle syncopation, it suggests a modern barcarolle.

Nice Little Monster is a bluesy piece by Stacy Fahrion about a creature that is tired of being called a little monster. Ideal for intermediates of all ages.

Taken Aback is an elegant lyrical showcase solo for late intermediates composed by British composer Jenny Walker.

Something Wicked This Way Strides is an exuberant, late intermediate solo that evokes the Roaring Twenties. Pianists will not only train their left hand to play typical stride leaps, they’ll also learn a few tricky bits of Chopin’s <em>Etude in A Minor, Op. 10, No. 2</em>, while they’re at it!

Easy on the ears and downright fun to play, Toccata Breve by Paul Sweet packs catchy melodies, interesting harmonies, and showy passagework into a solo both teachers and students will love!

Lullabies for Arachnophobes by Stacy Fahrion is a whimsically macabre collection written in homage of spindly spiders of all shapes and sizes. Rife with quirky rhythms, harmonies, and re-spindled versions of spidery classics, this collection will delight advanced players of all ages.

Chaos by Lisa Frederick is the perfect showcase solo piece for your students who are begging for fast and flashy minor-key pieces. Ideal for late intermediates of all ages, this will be a hit at your next recital!

Inner Turmoil is a fury-filled, fast and flashy advanced showcase piano solo by Canadian composer, Lisa Frederick. Perfect for teens looking for an impressive spotlight solo for their next performance.

Fearless, composed by Christina Mathis, is an exciting advanced showcase solo full of energy that is sure to become a favorite in your studio.

Three Moods for Piano, composed by Rick Robertson, is an late intermediate level triptych in a percussive twentieth-century style. The outer movements, both crisp and rhythmic (the first in constantly changing meters) flank a short, expressive middle movement. It is very effective in performance, and makes an excellent repertoire choice for a developing pianist.

Get your body moving with this upbeat boogie-style solo by Paul Sweet. It’s great for working on syncopations, building left-hand agility, teaching the blues scale, and having some major fun!

Dance of the Loons, by Debbie Center, was inspired by the wail and tremolo calls of the loons on her northern Minnesota lake. The piano mimics the calls of the loons in this hauntingly beautiful tribute to Minnesota’s state bird. This piece is on Debbie’s CD entitled “In Harmony All Ways.”

Ah, Capella! is a dream-like piece by Debbie Center, inspired by gazing at Capella, one of the brightest stars in the northern sky. Its lush jazz chords fit easily in the hands.

This is the first “Whimsically Macabre” composition Stacy Fahrion wrote, back in 2012. It begins with a quote from Chopin’s Winter Wind Etude, then segues into hints of a slightly menacing version of Do You Know the Muffin Man.

July is a ragtime solo for intermediate pianists composed by Sarah Reaser O’Brien.It is ideal study material for those who would enjoy historical rags but need a more manageable arrangement and hand span than those typically offer. There is syncopation throughout all of the three principle melodies with a steady quarter note accompaniment in the left hand for the majority of the piece.

Little Tarantella, composed by Jenny Walker, mimics the Italian style of folk dance that has an upbeat, triple time tempo accompanied by tambourines. This lively solo is ideal for advancing intermediates of all ages.

Fun Run by British composer Jenny Walker is a fairly fast advanced level showcase solo. The spirit of a fun run is captured here, with interesting harmonies as the runners twist and turn and an underlying pace for everyone to follow.