High Five!

On Your Case by Lisa Frederick is a minor-key jazzy showcase solo for late intermediates of all ages. Ideal for students who want spy-themed pieces, this will be a sure-fire hit at your next recital!

Portrait No. 6: Apeñas Amigos is an Intermediate to Late Intermediate work- paying tribute to Brazilian composer Egberto Gismonti, and it combines elements of both Classical and Jazz idioms. A hauntingly lyrical melody plays throughout the beginning and end of the work, while students will also be exploring various angular sequences as well. Teachers will enjoy this work for its lush harmonic content, perpetual rhythmic drive, as well as teaching various articulations and how to handle various tempi.  Intertwined within this work is a brief section of frenetic chaos, as well as a jovial (and dissonant) left-hand melody, which is sure to give students a real workout!

This is the first “Whimsically Macabre” composition Stacy Fahrion wrote, back in 2012. It begins with a quote from Chopin’s Winter Wind Etude, then segues into hints of a slightly menacing version of Do You Know the Muffin Man.

Keep the Change is a lyrical jazz waltz in B minor with a written out improvisation. Great as a launching point for intermediates into jazz studies.

Londonderry Air (O, Danny Boy) arranged in a lyrical and up-tempo jazzy style for intermediates. Arranged by Jennifer Eklund.

All aboard! Choo-Choo-Boogie is a blues-boogie style piano solo by Canadian composer, Lisa Frederick. This showcase solo, ideal for advancing intermediates will delight students of all ages!

Ah, Capella! is a dream-like piece by Debbie Center, inspired by gazing at Capella, one of the brightest stars in the northern sky. Its lush jazz chords fit easily in the hands.

Moose on the Loose is a jazzy showcase piano solo by Lisa Frederick. This delightful hard-romping swing solo is an ideal spotlight piece for late-intermediates of all ages.

Get your body moving with this upbeat boogie-style solo by Paul Sweet. It’s great for working on syncopations, building left-hand agility, teaching the blues scale, and having some major fun!

Once Upon a Whimsically Macabre Time is a collection of intermediate piano solos centered around a theme of macabre stories and characters. In this collection, Stacy Fahrion displays a penchant for minor keys and dance-like rhythms.

July is a ragtime solo for intermediate pianists composed by Sarah Reaser O’Brien.It is ideal study material for those who would enjoy historical rags but need a more manageable arrangement and hand span than those typically offer. There is syncopation throughout all of the three principle melodies with a steady quarter note accompaniment in the left hand for the majority of the piece.

Nice Little Monster is a bluesy piece by Stacy Fahrion about a creature that is tired of being called a little monster. Ideal for intermediates of all ages.

Lullabies for Arachnophobes by Stacy Fahrion is a whimsically macabre collection written in homage of spindly spiders of all shapes and sizes. Rife with quirky rhythms, harmonies, and re-spindled versions of spidery classics, this collection will delight advanced players of all ages.

Something Wicked This Way Strides is an exuberant, late intermediate solo that evokes the Roaring Twenties. Pianists will not only train their left hand to play typical stride leaps, they’ll also learn a few tricky bits of Chopin’s <em>Etude in A Minor, Op. 10, No. 2</em>, while they’re at it!

Cruisin’ is a laid back jazz-waltz solo by Canadian composer, Lisa Frederick. Ready for a lazy ride in a cool car? This is your ticket to ride!

April is an intermediate jazz solo with a leisurely, easygoing feel. The syncopated rhythmic accompaniment is offset by a straight-eighth melody with built-in improvisational bits. This is one of a set of 12 month-titled pieces by Sarah Reaser O’Brien, NCTM.

Arietta, composed by Rick Robertson, is a late-intermediate-level lyrical solo. Its plaintive melody over a rich harmonic palette appeals to pianists of all ages.

You will enjoy playing this prayerful arrangement of I Need Thee Every Hour by church pianist and teacher Christina Mathis. This lyrical arrangement is perfect for offertories, church preludes, and recitals.