Three Moods for Piano

Chaos by Lisa Frederick is the perfect showcase solo piece for your students who are begging for fast and flashy minor-key pieces. Ideal for late intermediates of all ages, this will be a hit at your next recital!

Inner Turmoil is a fury-filled, fast and flashy advanced showcase piano solo by Canadian composer, Lisa Frederick. Perfect for teens looking for an impressive spotlight solo for their next performance.

Taken Aback is an elegant lyrical showcase solo for late intermediates composed by British composer Jenny Walker.

Little Tarantella, composed by Jenny Walker, mimics the Italian style of folk dance that has an upbeat, triple time tempo accompanied by tambourines. This lively solo is ideal for advancing intermediates of all ages.

Composer Stacy Fahrion transforms A Tisket, A Tasket and part of My Bonnie Lies Over the Ocean into a whimsically melancholy statement about the pain and inevitability of loss. On the Way I Lost It is ideal for intermediates of all ages.

A playful intermediate level composition by Debbie Center. You’ll love the surprises as it echoes the call of the Song Sparrow and gets it dancing. Free nature play-along track included with purchase!

Lullabies for Arachnophobes by Stacy Fahrion is a whimsically macabre collection written in homage of spindly spiders of all shapes and sizes. Rife with quirky rhythms, harmonies, and re-spindled versions of spidery classics, this collection will delight advanced players of all ages.

Rain is a pensive lyrical style showcase piano solo for late intermediate pianists. New Age meets Baroque, contemporary styling with elegant contrapuntal touches.

Cruisin’ is a laid back jazz-waltz solo by Canadian composer, Lisa Frederick. Ready for a lazy ride in a cool car? This is your ticket to ride!

Portrait No. 6: Apeñas Amigos is an Intermediate to Late Intermediate work- paying tribute to Brazilian composer Egberto Gismonti, and it combines elements of both Classical and Jazz idioms. A hauntingly lyrical melody plays throughout the beginning and end of the work, while students will also be exploring various angular sequences as well. Teachers will enjoy this work for its lush harmonic content, perpetual rhythmic drive, as well as teaching various articulations and how to handle various tempi.  Intertwined within this work is a brief section of frenetic chaos, as well as a jovial (and dissonant) left-hand melody, which is sure to give students a real workout!

Diabolical Dance is a wild ride through 10/8 time with a relentless 3+2+2+3 groove. This dramatic piece by Stacy Fahrion will give advanced students a chance to highlight their rhythmic skills. Featuring contrapuntal lines culminating in tone clusters, this piece will be a delight when featured in Halloween recitals, or any time your students are looking for a flashy minor-key piece with fun asymmetrical rhythms.

On Your Case by Lisa Frederick is a minor-key jazzy showcase solo for late intermediates of all ages. Ideal for students who want spy-themed pieces, this will be a sure-fire hit at your next recital!

Portrait No.1, Definitive Road, is a solo composed in the harmonic and melodic tendencies of Thomas Newman. Students will enjoy exploring the mysterious yet emotional chord qualities of this piece, as well as the variations of the melodic theme. This mid-intermediate to advanced level solo by Travis Lohmann is perfect for recital programming, preludes, and more.

Fun Run by British composer Jenny Walker is a fairly fast advanced level showcase solo. The spirit of a fun run is captured here, with interesting harmonies as the runners twist and turn and an underlying pace for everyone to follow.

Autrefois (In Olden Days), composed by Rick Robertson, is a late intermediate lyrical solo that is an appropriate repertoire piece for recitals, contests, and festivals. It recalls the Paris of the late nineteenth century, with its evocation of early Impressionism. This piece is part of the Kaleidoscope Volume 3 songbook. This piece has been selected for the NFMC Festivals Bulletin, 2020-2024.

The Exquisite Melancholy of Everything Left Unuttered is a delicate waltz in E minor composed by Stacy Fahrion. There is an optional cut notated in the score to accommodate students at a lower intermediate level.

Toccata Staccata, composed by Rick Robertson is an intermediate level showcase solo. Its staccato parallel chords with a hint of Latin flavor give the advancing performer an exciting showpiece.

Disjointed Waltz, composed by Jenny Walker, is an evocative waltz with a few surprises. It contains some dynamic time and key changes. It has been written with the advanced player in mind, though rubato could be used to make things easier. The changeover to 6/8 works well and the syncopated rhythms are very effective.