Something To Come Home To

Faith, composed by Rick Robertson, is an intermediate reflective lyrical solo. Its melody and mood make it equally suitable for recital or service use.

Misty Morning is a Satie-esque, reflective solo composed by Jennifer Eklund. Ideal for early intermediates of all ages, this piece offers a great opportunity to introduce students to the concept of rubato. This piece is part of the Shades of You songbook.

Celestial Cloud, by Rick Robertson, is and ambient, new age style space piece that has lots of potential as a pupil saver. Highly pattern-based in natured this piece will bring guaranteed success to early intermediates of all ages.

Babbling Brook, composed by Sara Tomlinson, is an elegant lyrical solo for intermediates. This piece is part of the Creation Collage songbook.

Castle in the Clouds is an elegant solo for advancing early intermediates of all ages composed by Jennifer Eklund. This showcase solo is a great way to introduce syncopation and an advanced key signature since the piece requires very few shifts in hand position.

October is an intermediate new age piece by Sarah Reaser O’Brien, NCTM. The constantly moving triplet figures in both hands are meant to evoke the swirling motion of colorful autumn leaves blowing about in the breeze. Rather than centering on a traditional melodic line, October allows students to create a mood or effect by experimenting with dynamic inflection and rubato to vary each performance. Dynamic indications in the score are merely suggestions – performers are meant to make this free-flowing piece their own.

Something on the Slide is a Satie-esque waltz composed by British composer Joanne Grifiths. The accompaniment is built on two positions, C and G, with octave leaps from the bass to the chord. Awareness of balance between the hands is needed for this, to bring out the melody.

Summer Sunset, composed by Sara Tomlinson, reflects an ending of something beautiful. The melody swirls throughout the piece as rich layers are added through arpeggios in the left hand. This lyrical solo is ideal for intermediates of all ages.

Simple Love Song, composed by Ron Levy, is an elegant solo that will delight intermediates of all ages.

Beethoven’s iconic Moonlight Sonata in a modern lyrical spin arranged by Jennifer Eklund. This mild and mellow version, transposed to the key of D minor, is ideal for intermediate level pianists.

Monday’s Child is a suite of seven character pieces, composed by Joanne Griffiths, based on the children’s traditional British fortune-telling poem “Monday’s Child.” It is contemporary in style, particularly influenced by Ludovico Einaudi and Arvo Part. The pieces are mainly light and gentle in mood with meditative patterns, sequences, imitation and repetition at the core and topped with lyrical melodies, portraying the character of each child for that day.

Something Reminiscent, by British composer Joanne Griffiths, has a reflective, lyrical melody over a repetitive, pattern based accompaniment with influences of Max Richter. Based around the C minor triad there are technical demands of evenness of touch and balance between hands, with a little left over right crossing for dramatic effect.

Morning Mediation, composed by Chrissy Ricker, is an elegant and peaceful solo for intermediates. This piece is part of the Rhapsodies and Reveries Volume Two songbook.

Calm, composed by Jenny Walker, is a peaceful meditative solo for intermediates. The left hand provides a gentle, rocking accompaniment, much of which is in the treble clef. The mood is fairly constant throughout and there is room for some rubato when the left hand reach increases towards the middle of the work.

Day’s End, composed by Rick Robertson is an intermediate level ambient, light jazz solo with a mature" sound. This piece will appeal to teens and adults as well.

Reflection is a lyrical solo by Sara Tomlinson with a reflective quality. The piece is in 6/8 time in the key of A minor. The listener could easily get lost in the melody, which is supported by a hypnotic left-hand accompaniment.

Dark Waters, composed by Jennifer Eklund, is a haunting lyrical waltz for early intermediates and up.

Lamentations is suite of solos composed by Joanne Griffiths for intermediate players to explore time signature changes, comparisons between simple and compound time, minimalism, and mostly how to express mood and emotion. Breathe is a peaceful, calming minimalist piece pushing the boundaries of 3/4 time and crossing it with more than a suggestion of 6/8. For Carolyn is an uplifting piece with lilting, contrasting themes, in Rondo form. Finally, Sorrow is an expression of grief, with a “bell tolling” theme throughout. It is also minimalist, centered around A minor and changing from 3 to 4 beats in the bar and covering several octaves of the piano.