E major

La Luna Canta, by Rick Robertson is an intermediate level lyrical solo. The melody, supported by a triplet figuration, suggests another famous “moon” piece and the Schubert Impromptu in G-flat, and both inspired this piece. It is an effective recital selection, and could be used in wedding preludes or even as a church offertory.

Intermezzo in E, by Rick Robertson, is an intermediate level lyrical solo. It is written in a style that is similar to Brahms, but simpler and more hand-friendly. This would make an excellent recital or festival solo, and could be used as wedding or service music.

Simply Sung, composed by Rick Robertson is an intermediate level solo in a neo-Romantic ambient style. The syncopated accompaniment adds a rocking motion to the right-hand melody. This piece, a favorite of the composer, can also be used in service playing or wedding ceremonies. This selection is part of the Souvenirs songbook.

Novela, composed by Rick Robertson is an intermediate level lyrical solo. It has a haunting melody with a contrasting middle section.

Remember When is solo by Sara Tomlinson featuring warm, rich harmonies and a tender melody. The middle section features arpeggiated figures and melodic flourishes, expanding on the original theme. The piece concludes with a fond return of the A section in simplified form.

Something To Come Home To is a cozy and flowing intermediate level lyrical solo by British composer, Joanne Griffiths.

Bittersweet is a dramatic contemporary lyrical solo composed by Canadian composer Lisa Frederick. This minor-key showcase piece will delight late-intermediates of all ages!

Based on the traditional English folk song and nursery rhyme, “Lavender’s Blue,” this delightful arrangement by Jenny Walker adds unexpected harmonies and key changes. The march-like 4/4 section gives a new, sombre feel which quickly gives way to a brighter, more flamboyant ending.

Glorious Things of Thee Are Spoken arranged in a contemporary style for late intermediates by Jennifer Eklund. This traditional Austrian hymn with music by Franz Joseph Haydn is mixed here with Felix Mendelssohn’s Consolation from Songs Without Words. This selection is ideal for congregational settings with a run time of approximately three minutes.

Be Thou My Vision, mingled the “Shepherd’s Song” from Beethoven’s Pastoral Symphony, arranged in a contemporary lyrical style for late intermediates by Jennifer Eklund.

Here is Love set in a beautiful and contemporary arrangement by Lisa Shoemaker. Perfect for offertories or casual enjoyment, you and your students will enjoy playing expressively and creating different moods through this piece!

Come, Thou Fount of Every Blessing, arranged by Lisa Shoemaker, covers a range of emotions from joyful exuberance to gentle thoughtfulness. The energetic syncopation makes this a treat for students and church musicians alike!

Joy to the World, combined with “For Unto Us a Child Is Born” from The Messiah, in a jubilant setting for late intermediates by Jennifer Eklund.