Fading Into Twilight

The Exquisite Melancholy of Everything Left Unuttered is a delicate waltz in E minor composed by Stacy Fahrion. There is an optional cut notated in the score to accommodate students at a lower intermediate level.

Dark Waters, composed by Jennifer Eklund, is a haunting lyrical waltz for early intermediates and up.

Chopin’s iconic Nocturne in F Minor, Op. 55, No. 1, remixed in a modern lyrical spin by Jennifer Eklund. This mild and mellow abridged version is ideal for intermediate level pianists.

Lamentations is suite of solos composed by Joanne Griffiths for intermediate players to explore time signature changes, comparisons between simple and compound time, minimalism, and mostly how to express mood and emotion. Breathe is a peaceful, calming minimalist piece pushing the boundaries of 3/4 time and crossing it with more than a suggestion of 6/8. For Carolyn is an uplifting piece with lilting, contrasting themes, in Rondo form. Finally, Sorrow is an expression of grief, with a “bell tolling” theme throughout. It is also minimalist, centered around A minor and changing from 3 to 4 beats in the bar and covering several octaves of the piano.

Vanished is a haunting, minor key, contemporary lyrical piano solo for intermediates. Music by Jennifer Eklund and part of the New Horizons songbook.

Something Else, by British composer Joanne Griffiths, has a gently meandering melody over an accompaniment of two patterns, two chords and two time signatures. A little quirky lilt changing from 3/4 to 4/4 time will keep your students counting.

Beethoven’s iconic Moonlight Sonata in a modern lyrical spin arranged by Jennifer Eklund. This mild and mellow version, transposed to the key of D minor, is ideal for intermediate level pianists.

Emerald Gem, composed by Ron Levy, is a meditative solo for intermediates, full of lush harmonies and a haunting melody. Cover photography from Back Bay, Newport Beach by Ron Levy.

Brand New Day is a collection of twelve elegant intermediate and late-intermediate contemporary solos by Ryan Chesser. This go-to songbook will appeal to both amateur and professional pianists with works that will suit a variety of occasions and settings.

The Lovelorn Lobster is a song from 1897 with words by Joseph W. Herbert. Stacy Fahrion wrote her own original whimsically macabre music to the poignant lyrics about love between a lobster and a piscatorial maiden going terribly awry. A timeless, classic theme for Valentine’s Day, or any occasion!

Calm, composed by Jenny Walker, is a peaceful meditative solo for intermediates. The left hand provides a gentle, rocking accompaniment, much of which is in the treble clef. The mood is fairly constant throughout and there is room for some rubato when the left hand reach increases towards the middle of the work.

Mystery and uncertainty are just around the corner with this minor key solo by Ryan Chesser. This piece is great for teaching artistic expression and balance between hands. Your moody teenage students will love this expressive showcase solo!

Alone, but Not Lonely by Rick Robertson is an intermediate-level lyrical solo. This contemplative showcase will appeal to pianists of all ages.

Peaceful Slumber, composed by Jenny Walker, is an elegant lyrical solo for intermediates that serves as an excellent introduction to playing in 5/8 time.

Cheaha Skyline, by Rick Robertson, is an intermediate level lyrical piano solo, written in homage to his home state of Alabama. Cheaha Mountain, at 2,413 feet, is the highest point in Alabama.

Impressions is a suite of contemporary lyrical solos by Jennifer Eklund that will be a hit with intermediates of all ages.

This book presents strategies for learning to play polyrhythms, from the most common ones, such as two against three, up through four against five. It contains rhythm exercises, improvisation suggestions, and thirteen pieces based on polyrhythms. Once you’ve worked with the book, you might develop intense cravings for more polyrhythms, and may even be inspired to compose polyrhythmic pieces of your own.

Lullaby, composed by Joanne Griffiths, is a lyrical and expressive piece, suitable for an intermediate player. It is based on the primary chords of D major, with the occasional chromatic twist.