Bittersweet

Valse Sentimentale is a pensive lyrical waltz composed by Rick Robertson that is ideal for early intermediates. This piece is part of the Reach for the Stars songbook.

Tristesse, composed by Rick Robertson is an intermediate level lyrical solo. Its “nocturne” or “romance” style lends it to recital or festival performance, as well as in service playing.

Space Waltz, composed by Ron Levy, is a delightful showcase solo for intermediates. This cinematic-style solo will serve as a great performance piece for recitals.

Monday’s Child is a suite of seven character pieces, composed by Joanne Griffiths, based on the children’s traditional British fortune-telling poem “Monday’s Child.” It is contemporary in style, particularly influenced by Ludovico Einaudi and Arvo Part. The pieces are mainly light and gentle in mood with meditative patterns, sequences, imitation and repetition at the core and topped with lyrical melodies, portraying the character of each child for that day.

Once Upon a Time is a whimsically macabre solo composed by Stacy Fahrion that is part of the songbook of the same title. This eerie showcase piece is ideal for early intermediates and beyond.

Ebb & Flow is a collection of eleven contemporary solos by British composer, Joanne Griffiths. Intermediates of all ages will enjoy exploring the various genres encapsulated in this collection of ambient solos.

Intermezzo in E-Flat, composed by Rick Robertson, is an intermediate level lyrical Romantic solo suitable for students of all ages.

Intermezzo in B, composed by Rick Robertson, is an intermediate level solo in a neo-Romantic lyrical style. It is very effective in performance, and makes an excellent repertoire choice for a maturing pianist. It gives the growing performer experience in a less-frequently encountered key, and could be used as wedding or service music as well.

Day is Done, composed by Rick Robertson, is an intermediate level solo in a neo-Romantic lyrical style. A slow-moving theme with harmonic richness contrasts with a middle section that presses forward, returning to the first theme for a conclusion. This is appropriate for recital or festival, in addition to worship services as a prelude or offertory.

This piece starts out mostly normal, staying close to Stephen Foster’s piece, but then something goes awry and it ends up in the parallel minor. Music by Stacy Fahrion.

Beethoven’s iconic Moonlight Sonata in a modern lyrical spin arranged by Jennifer Eklund. This mild and mellow version, transposed to the key of D minor, is ideal for intermediate level pianists.

Paper Airplane by Sara Tomlinson is an expressive and flowing piece at the late intermediate level. Students will find the chromatic scales and left-hand crossovers fun and impressive. Suitable for students for intermediates of all ages.

Something Reminiscent, by British composer Joanne Griffiths, has a reflective, lyrical melody over a repetitive, pattern based accompaniment with influences of Max Richter. Based around the C minor triad there are technical demands of evenness of touch and balance between hands, with a little left over right crossing for dramatic effect.

Masquerade is a whimsical lyrical waltz in B minor composed by Chrisanne Nahum. This piece is ideally suited for intermediates and will delight students of all ages!

Chopin’s iconic Nocturne in F Minor, Op. 55, No. 1, remixed in a modern lyrical spin by Jennifer Eklund. This mild and mellow abridged version is ideal for intermediate level pianists.

This book presents strategies for learning to play polyrhythms, from the most common ones, such as two against three, up through four against five. It contains rhythm exercises, improvisation suggestions, and thirteen pieces based on polyrhythms. Once you’ve worked with the book, you might develop intense cravings for more polyrhythms, and may even be inspired to compose polyrhythmic pieces of your own.

Valse Parisienne is a lyrical piano solo by Canadian composer Lisa Frederick. Inspired by Chopin’s Waltz in B minor, this waltz is ideal for intermediates of all ages and a great way to introduce the concept of rubato.

If You Believe, composed by Rick Robertson, is an intermediate level solo in a neo-Romantic lyrical style. It is very effective in performance, and makes an excellent repertoire choice for a developing pianist. It can also be used in wedding or service playing.