Petite Reverie

Look to the Sky, composed by Rick Robertson, is a lyrical, elementary level solo. It has the bonus of an optional duet/obligato part, playable on piano, flute, or violin.

Sky’s the Limit is an intermediate level contemporary lyrical solo by Jennifer Eklund. This piece is part of the Dreamweaver songbook.

Nocturne in G Minor, composed by Rick Robertson, is an intermediate-level lyrical solo. It serves well as an introduction to the Romantic period, especially the music of Chopin. There is even a short cadenza-type passage near the end.

Guilty as Charged is a light-hearted pop solo ideal for early intermediate pianists of any age. Music composed by Jennifer Eklund and part of the Spotlight Solos Volume 2 songbook.

Sky Castles, by Lisa Donovan Lukas, is a delightful, upbeat, lyrical showcase piece for the early intermediate pianist.

Moonlight is a lyrical solo with a splash of Beethoven’s “Moonlight Sonata” throughout. This piece, composed by Chrissy Ricker, is ideal for intermediates and is part of the Let’s Quest Volume 3 songbook.

The Lovelorn Lobster is a song from 1897 with words by Joseph W. Herbert. Stacy Fahrion wrote her own original whimsically macabre music to the poignant lyrics about love between a lobster and a piscatorial maiden going terribly awry. A timeless, classic theme for Valentine’s Day, or any occasion!

Until I See You Again is an expressive and heartfelt lyrical solo by Heather Nanney. Its beautiful melodic lines make this intermediate solo a student and teacher favorite.

Imagination is an elegant lyrical showcase solo for late intermediates composed by British composer Jenny Walker.

Haunted Reverie, composed by Ron Levy, is a haunting lyrical solo, in the style of Erik Satie, for intermediates and beyond.

Monday’s Child is a suite of seven character pieces, composed by Joanne Griffiths, based on the children’s traditional British fortune-telling poem “Monday’s Child.” It is contemporary in style, particularly influenced by Ludovico Einaudi and Arvo Part. The pieces are mainly light and gentle in mood with meditative patterns, sequences, imitation and repetition at the core and topped with lyrical melodies, portraying the character of each child for that day.

This is a lyrical piano ballad in waltz time for intermediate pianists by Sarah Reaser O’Brien, NCTM. The melody is made almost entirely of ascending and descending pentascales (5-note scales) on white keys. The accompaniment for left hand requires a hand span primarily of melodic octaves with an occasional melodic tenth. The ternary form features a middle section with surprising harmonies and a deceptive cadence. Middle and high school students will find this piece both accessible and rewarding.

La Luna Canta, by Rick Robertson is an intermediate level lyrical solo. The melody, supported by a triplet figuration, suggests another famous “moon” piece and the Schubert Impromptu in G-flat, and both inspired this piece. It is an effective recital selection, and could be used in wedding preludes or even as a church offertory.

Guiding Light is a flowing, contemporary lyrical solo for late-intermediates of all ages composed by Jennifer Eklund. This piece makes for a wonderful recital showcase piece and is part of the New Horizons songbook.

Wind Whirls, composed by Rick Robertson, is an early intermediate level showcase solo. Its passages divided between the hands give it a showy effect, with some interesting harmonies.

Once Upon a Time is a whimsically macabre solo composed by Stacy Fahrion that is part of the songbook of the same title. This eerie showcase piece is ideal for early intermediates and beyond.

Beethoven’s iconic Moonlight Sonata in a modern lyrical spin arranged by Jennifer Eklund. This mild and mellow version, transposed to the key of D minor, is ideal for intermediate level pianists.

Something on the Slide is a Satie-esque waltz composed by British composer Joanne Grifiths. The accompaniment is built on two positions, C and G, with octave leaps from the bass to the chord. Awareness of balance between the hands is needed for this, to bring out the melody.