Flutterbyes

The Lovelorn Lobster is a song from 1897 with words by Joseph W. Herbert. Stacy Fahrion wrote her own original whimsically macabre music to the poignant lyrics about love between a lobster and a piscatorial maiden going terribly awry. A timeless, classic theme for Valentine’s Day, or any occasion!

Long-Legged Spinners is a whimsically macabre solo composed by Stacy Fahrion. This solo is ideal for intermediates of all ages and is part of the Lullabies for Arachnophobes songbook.

A playful intermediate level composition by Debbie Center. You’ll love the surprises as it echoes the call of the Song Sparrow and gets it dancing. Free nature play-along track included with purchase!

Sun Suite, by Canadian composer Lisa Frederick, is a set of three contemporary lyrical solos celebrating the beauty of the sun at different points of the day. This set is ideal for intermediates of all ages and will function well as a set or as separate showcase solos.

This ethereal piece by Stacy Fahrion quietly subverts the meaning of the famous poem by Lord Byron. Ideal for intermediates of all ages.

Something More is an uplifting contemporary lyrical solo for intermediates by British composer Joanne Griffiths.

Once Upon a Time is a whimsically macabre solo composed by Stacy Fahrion that is part of the songbook of the same title. This eerie showcase piece is ideal for early intermediates and beyond.

Space Waltz, composed by Ron Levy, is a delightful showcase solo for intermediates. This cinematic-style solo will serve as a great performance piece for recitals.

Something like Glass, written by British composer, Joanne Griffiths is a study in consistent and even playing of triplets in the right hand, with changing clefs in the left hand that explore the outer areas of the keyboard. Intermediates will enjoy the essence of Philip Glass that flows through this evocative solo.

La Luna Canta, by Rick Robertson is an intermediate level lyrical solo. The melody, supported by a triplet figuration, suggests another famous “moon” piece and the Schubert Impromptu in G-flat, and both inspired this piece. It is an effective recital selection, and could be used in wedding preludes or even as a church offertory.

A hair-raising, haunting tarantella by Stacy Fahrion with an abundance of crunchy minor 2nds and a slower, nostalgic middle section.

If You Believe, composed by Rick Robertson, is an intermediate level solo in a neo-Romantic lyrical style. It is very effective in performance, and makes an excellent repertoire choice for a developing pianist. It can also be used in wedding or service playing.

Intermezzo in B, composed by Rick Robertson, is an intermediate level solo in a neo-Romantic lyrical style. It is very effective in performance, and makes an excellent repertoire choice for a maturing pianist. It gives the growing performer experience in a less-frequently encountered key, and could be used as wedding or service music as well.

With an accompaniment inspired by the slow movement of Chopin’s Third Sonata, Ron Levy has composed a meditative piano solo with an enchanting melody in a stately setting. This intermediate level composition focuses on building and sustaining a long lyrical line over a steady, supportive left hand.

Chanson, composed by Rick Robertson, is an early intermediate-level lyrical solo. With its haunting melody and interesting harmonic turns this piece is useful for recitals, weddings, or church services.

Moonlight is a lyrical solo with a splash of Beethoven’s “Moonlight Sonata” throughout. This piece, composed by Chrissy Ricker, is ideal for intermediates and is part of the Let’s Quest Volume 3 songbook.

Haunted Reverie, composed by Ron Levy, is a haunting lyrical solo, in the style of Erik Satie, for intermediates and beyond.

Beethoven’s iconic Moonlight Sonata in a modern lyrical spin arranged by Jennifer Eklund. This mild and mellow version, transposed to the key of D minor, is ideal for intermediate level pianists.