Appalachian Rhapsody

Wistfully, by Rick Robertson, is an intermediate level lyrical solo. It is written in a “romantic movie” style, and will make a nice brief recital solo, or as a musical interlude in a worship service.

Calm, composed by Jenny Walker, is a peaceful meditative solo for intermediates. The left hand provides a gentle, rocking accompaniment, much of which is in the treble clef. The mood is fairly constant throughout and there is room for some rubato when the left hand reach increases towards the middle of the work.

Reassurance, composed by Rick Robertson, is an early intermediate level lyrical solo. It has a gentle sway in its rhythm, and a memorable melody. It could also be used as worship service music. It was inspired by the self-isolation and “social distancing” of the COVID-19 pandemic of 2020.

Simply Sung, composed by Rick Robertson is an intermediate level solo in a neo-Romantic ambient style. The syncopated accompaniment adds a rocking motion to the right-hand melody. This piece, a favorite of the composer, can also be used in service playing or wedding ceremonies. This selection is part of the Souvenirs songbook.

Contentment, composed by Rick Robertson, is a lyrical solo for early intermediates with a mature sound. Long pedal effects add to the atmosphere.

Sky, composed by Chrissy Ricker, is an elegant lyrical solo for intermediates. This piece is part of the “Three Sketches in Blue” suite that is included in the Rhapsodies and Reveries Volume Two songbook.

Winter Frost, composed by Rick Robertson, is a lower-intermediate lyrical solo. Its plaintive sound makes it an interesting reflective solo. The melody is primarily in the left hand.

Hymne, composed by Rick Robertson, is a lyrical solo with a mature sound. It is highly melodic and suitable for recital or service use.

Greensleeves arranged as a contemporary lyrical solo for intermediates of all ages. Music arranged by Jennifer Eklund and part of the New Horizons songbook.

Chopin’s iconic Nocturne in F Minor, Op. 55, No. 1, remixed in a modern lyrical spin by Jennifer Eklund. This mild and mellow abridged version is ideal for intermediate level pianists.

Monday’s Child is a suite of seven character pieces, composed by Joanne Griffiths, based on the children’s traditional British fortune-telling poem “Monday’s Child.” It is contemporary in style, particularly influenced by Ludovico Einaudi and Arvo Part. The pieces are mainly light and gentle in mood with meditative patterns, sequences, imitation and repetition at the core and topped with lyrical melodies, portraying the character of each child for that day.

Faith, composed by Rick Robertson, is an intermediate reflective lyrical solo. Its melody and mood make it equally suitable for recital or service use.

Dark Waters, composed by Jennifer Eklund, is a haunting lyrical waltz for early intermediates and up.

May You Find Your Peace, by Rick Robertson, is an intermediate level lyrical solo. The composer aimed to write a solo with a peaceful, soothing mood for times when a pianist just needs to be “alone with their instrument.” Although it is “very personal,” it is suitable to be shared in a worship service or a recital.

Longing for Spring, composed by Sara Tomlinson, is an elegant lyrical solo for intermediates. This piece is part of the Creation Collage songbook.

Shades of You is a gentle, lyrical solo for early intermediates composed by Jennifer Eklund. This piece is part of the Shades of You songbook.

Something on the Slide is a Satie-esque waltz composed by British composer Joanne Grifiths. The accompaniment is built on two positions, C and G, with octave leaps from the bass to the chord. Awareness of balance between the hands is needed for this, to bring out the melody.

Something To Come Home To is a cozy and flowing intermediate level lyrical solo by British composer, Joanne Griffiths.