Picking Daisies

“Picking Marigolds” is a composition written by Travis Lohmann. It explores the use of contemporary harmonies, alternating meters, as well as chordal extensions. While still providing a simple and flowing melody, it is taken through a variety of transformations both harmonic and melodic. Students and teachers alike will enjoy picking apart the musical sequences scattered throughout the piece, as well as the overwhelming sense of serenity this piece brings. Definitely could be used as an interlude for a recital program, or even for social gatherings.

Picking Lilacs, composed by Travis Lohmann, features light influences of jazz, as well as lyrically phrased melodies. Best suited for mid to late-intermediate pianists, this composition can work both as a contemplative opener for a concert, as well as middle interlude between selections. The light-hearted tone of this piece, as well as its whimsical nature is sure to be a perfect performance piece for any concert.

Portrait No.1, Definitive Road, is a solo composed in the harmonic and melodic tendencies of Thomas Newman. Students will enjoy exploring the mysterious yet emotional chord qualities of this piece, as well as the variations of the melodic theme. This mid-intermediate to advanced level solo by Travis Lohmann is perfect for recital programming, preludes, and more.

This is a twinkly little whimsical piece in which composer Stacy Fahrion combines Twinkle Twinkle Little Star with Row Row Row Your Boat. This whimsically macabre showcase solo will delight intermediates of all ages!

New Beginnings is an upbeat and uplifting contemporary pop-style solo by Canadian composer Lisa Frederick. This selection will delight intermediates of all ages and makes a great recital or festival piece.

Goodnight, Sweet Dreams is a Composers Today award winning composition by Lisa Donovan Lukas. An inspirational contemporary lyrical showcase solo, ideal for the advanced student.

Sonic Bouquet is collection of lyrically expressive piano solos for the budding intermediates through late advanced pianist. Each piece was written as a musical interpretation of a specific flower and encapsulates my love for music ranging from jazz, classical, and film music. I sincerely hope you enjoy learning and growing, playing these works. - Travis Lohmann

A playful intermediate level composition by Debbie Center. You’ll love the surprises as it echoes the call of the Song Sparrow and gets it dancing. Free nature play-along track included with purchase!

Pernicious Pumpkin is a whimsically macabre concoction of nursery rhymes by Stacy Fahrion. This eclectic, minor-key gem will be a hit with teens and intermediates of all ages.

Waltz for a Six-Legged Octopus by Stacy Fahrion begins whirling gently in 6/8 time, but the real hexapus waltzing starts when the piece shifts to 9/8. This waltz, ideal for intermediates, is for anyone who has ever felt like they’re missing something that everyone else has.

Wandering is a beautiful, intermediate lyrical solo by composer Lisa Shoemaker. Rubato style and an uplifting sound will make this a student favorite!

Rain is a pensive lyrical style showcase piano solo for late intermediate pianists. New Age meets Baroque, contemporary styling with elegant contrapuntal touches.

Lighthouse in the Fog, composed by Rick Robertson, is a late-intermediate level Impressionist lyrical solo. It is an appropriate repertoire piece for recitals, contests, and festivals.

Awkward Waltz is a tender, minor-key anthem for introverts composed by Stacy Fahrion. This contemplative gem will be a hit with teens and intermediates of all ages.

In Harmony All Ways features nine ambient, lyrical solos by composer Debbie Center. These soothing piano reflections inspired by Minnesota’s Lake Country will provide enjoyment for intermediate to advanced pianists of all ages.

Questions, composed by Rick Robertson is a late intermediate lyrical solo. It has a haunting melody full of interesting harmonic turns.

Nice Little Monster is a bluesy piece by Stacy Fahrion about a creature that is tired of being called a little monster. Ideal for intermediates of all ages.

A hair-raising, haunting tarantella by Stacy Fahrion with an abundance of crunchy minor 2nds and a slower, nostalgic middle section.