Long-Legged Spinners

The Lovelorn Lobster is a song from 1897 with words by Joseph W. Herbert. Stacy Fahrion wrote her own original whimsically macabre music to the poignant lyrics about love between a lobster and a piscatorial maiden going terribly awry. A timeless, classic theme for Valentine’s Day, or any occasion!

This ethereal piece by Stacy Fahrion quietly subverts the meaning of the famous poem by Lord Byron. Ideal for intermediates of all ages.

A hair-raising, haunting tarantella by Stacy Fahrion with an abundance of crunchy minor 2nds and a slower, nostalgic middle section.

Waltz for a Six-Legged Octopus by Stacy Fahrion begins whirling gently in 6/8 time, but the real hexapus waltzing starts when the piece shifts to 9/8. This waltz, ideal for intermediates, is for anyone who has ever felt like they’re missing something that everyone else has.

Haunted Reverie, composed by Ron Levy, is a haunting lyrical solo, in the style of Erik Satie, for intermediates and beyond.

Moonlight Nocturne is a haunting intermediate lyrical solo composed by Lisa Shoemaker. This elegant work is ideal for students who love to play with passion and a touch of drama!

Itsy Bitsy Tarantula is a slightly more disturbing version of Itsy Bitsy Spider composed by Stacy Fahrion. This piece is ideal for intermediates.

This piece starts out mostly normal, staying close to Stephen Foster’s piece, but then something goes awry and it ends up in the parallel minor. Music by Stacy Fahrion.

Flutterbyes is an elegant, Chopin-esque waltz composed by Jane Tate. This showcase solo is ideal for intermediates of all ages!

Once Upon a Time is a whimsically macabre solo composed by Stacy Fahrion that is part of the songbook of the same title. This eerie showcase piece is ideal for early intermediates and beyond.

A Wise Old Owl is inspired by a nursery rhyme of the same title and set here as a whimsically macabre solo for intermediates by Stacy Fahrion. If you’re playing on a grand piano, before beginning the piece you can silently depress the low F octave and sustain it throughout with the sostenuto pedal for an added mysterious effect. This is an optional effect, and the piece still works well without it. The damper pedal is often left down for extended periods of time as well for a swirling effect.

Wayward Blackbird interweaves Chopin-esque basslines with familiar nursery rhymes This Old Man and Sing a Song of Sixpence in this whimsically macabre showcase solo by Stacy Fahrion.

Something Reminiscent, by British composer Joanne Griffiths, has a reflective, lyrical melody over a repetitive, pattern based accompaniment with influences of Max Richter. Based around the C minor triad there are technical demands of evenness of touch and balance between hands, with a little left over right crossing for dramatic effect.

Wistful Waltz, composed by Stacy Fahrion, is a mysterious, Chopin-esque waltz with a very un-Chopin-like modal middle section and an abundance of tritones. Ideal for early advanced level pianists of all ages.

Tricks & Treats features eleven Halloween-themed showcase solos composed by Stacy Fahrion. Full of quirky harmonies, odd meters, and playful takes on folk melodies, these pieces will be a treat for intermediates of all ages at any time of the year!

The Eagle’s Flight, composed by Sarah Barintine, is an intermediate level lyrical showcase solo. The composer, a former student of Rick Robertson, wrote it at the age of 13. It has teen appeal, and is suitable for recital performance.

Memories, by Rick Robertson is an intermediate level solo in a neo-Romantic lyrical style. It is very effective in performance, and makes an excellent repertoire choice for a developing pianist. It could also be used as wedding or service music.

Monday’s Child is a suite of seven character pieces, composed by Joanne Griffiths, based on the children’s traditional British fortune-telling poem “Monday’s Child.” It is contemporary in style, particularly influenced by Ludovico Einaudi and Arvo Part. The pieces are mainly light and gentle in mood with meditative patterns, sequences, imitation and repetition at the core and topped with lyrical melodies, portraying the character of each child for that day.