Impressions

Need music for a wedding, a party, church offertory, or any occasion where beautiful background music is a necessity? This is your new go-to gig book! Let There be Music features 45 performance-ready pieces by Jennifer Eklund that will suit any occasion. Selections include classical favorites, contemporary lyrical pieces, and sacred works. Available as a convenient eBook so you can stop lugging music books around.

New Horizons songbook features contemporary lyrical piano solos composed by Jennifer Eklund that are ideal for intermediates of all ages.

Dreamweaver is a collection of fourteen contemporary lyrical solos composed by Jennifer Eklund for intermediates and above. This book contains selections for the NFMC Festivals Bulletin, 2020-2024.

UPDATE: The e-book edition of this songbook was updated in September of 2024 with new engravings and some minor corrections to courtesy accidentals and rhythmic notations.

Something Borrowed, composed by Amanda W. Smith, is an elegant lyrical solo for intermediates. This piece is part of the Set Sail songbook.

Skye Boat Song, a traditional Scottish classic, arranged in a lyrical style for intermediates by Jennifer Eklund.

If You Believe, composed by Rick Robertson, is an intermediate level solo in a neo-Romantic lyrical style. It is very effective in performance, and makes an excellent repertoire choice for a developing pianist. It can also be used in wedding or service playing.

With an accompaniment inspired by the slow movement of Chopin’s Third Sonata, Ron Levy has composed a meditative piano solo with an enchanting melody in a stately setting. This intermediate level composition focuses on building and sustaining a long lyrical line over a steady, supportive left hand.

Flute Song, by Rick Robertson is an intermediate level lyrical solo. This is similar to his “Intermezzos,” but shorter and less difficult. It is inspired by the flute playing of a classmate from his college years, one who he accompanied frequently. This piece is very useful as a short lyrical piece for a recital, festival, worship service, or even a wedding ceremony,

Brand New Day is a collection of twelve elegant intermediate and late-intermediate contemporary solos by Ryan Chesser. This go-to songbook will appeal to both amateur and professional pianists with works that will suit a variety of occasions and settings.

Sleeping Beauty Waltz, by Pyotr Ilyich Tchaikovsky, arranged by Lisa Donovan Lukas for solo piano, is a delightful, lyrical showcase piece for the intermediate pianist.

Something More is an uplifting contemporary lyrical solo for intermediates by British composer Joanne Griffiths.

The Lovelorn Lobster is a song from 1897 with words by Joseph W. Herbert. Stacy Fahrion wrote her own original whimsically macabre music to the poignant lyrics about love between a lobster and a piscatorial maiden going terribly awry. A timeless, classic theme for Valentine’s Day, or any occasion!

Fading into Twilight is a mysterious, minor key, contemporary lyrical solo that will be a hit with intermediates of all ages. Part of the Dreamweaver songbook. This piece has been selected for the NFMC Festivals Bulletin, 2020-2024.

Souvenirs is an collection of thirteen New Age style solos for intermediates composed by Rick Robertson. These elegant and evocative solos will be enjoyed by students of all ages, especially teens and adults.

Intermezzo in B, composed by Rick Robertson, is an intermediate level solo in a neo-Romantic lyrical style. It is very effective in performance, and makes an excellent repertoire choice for a maturing pianist. It gives the growing performer experience in a less-frequently encountered key, and could be used as wedding or service music as well.

Remember Me is pop-style lyrical solo composed by Chrisanne Nahum. This piece is ideally suited for intermediates and will delight students of all ages!

Beethoven’s iconic Moonlight Sonata in a modern lyrical spin arranged by Jennifer Eklund. This mild and mellow version, transposed to the key of D minor, is ideal for intermediate level pianists.

This is a wistful waltz by Jenny Walker, with a slightly quirky melody and steady waltz-like base line. The middle section has a deeper, more self-assured feel and switches to the major key. The piece is to be played with extreme sensitivity, especially at the end when the marionette finally runs out of steam.