Wellspring

All aboard the Orient Express! This collection of imaginative and elegant solos, composed by Barbara Becker, will take your early intermediate students on a sonic tour around the world!

Viva Mexico, composed by Barbara Becker, is a suite of showcase solos for early intermediates and up. These delightful pieces, full of character and lush harmonies will brighten your next recital or festival performance!

Chopin’s iconic Nocturne in F Minor, Op. 55, No. 1, remixed in a modern lyrical spin by Jennifer Eklund. This mild and mellow abridged version is ideal for intermediate level pianists.

Portrait No. 5: Refractions is an intermediate selection by Travis Lohmann, paying tribute to the minimalistic stylings of the Estonian composer Arvo Pärt. The main focus of this piece is slow moving harmonic changes which gradually shift over time. Performers will enjoy the lyrical yet longing melody which gently plays over top the bed of simplistic yet increasingly interesting harmonies. Teachers can help students discover and analyze the changing harmonies throughout. A wonderful selection for both voice-leading and dynamics, this piece is a fine addition for both recital and concerts.

This is a free-flowing piece with elements taken from the Scottish folk song ‘Mairi’s Wedding’ which then develop into a unique melody which pervades the rest of the work. It starts innocuously, with some off-beat chords in the left hand whilst the right plays the tune and develops into a more regularly metered, dance section. The wedding gains momentum and an element of Irish cheek is heard throughout. A lovely piece for all to enjoy.

A flashy intermediate solo in 7/8 time based on This Old Man composed by Stacy Fahrion.

The Chase is a fast and flashy showcase piano solo that is part of the Dog Days songbook. Music by Jennifer Eklund.

This book presents strategies for learning to play polyrhythms, from the most common ones, such as two against three, up through four against five. It contains rhythm exercises, improvisation suggestions, and thirteen pieces based on polyrhythms. Once you’ve worked with the book, you might develop intense cravings for more polyrhythms, and may even be inspired to compose polyrhythmic pieces of your own.

Nocturne in G Minor, composed by Rick Robertson, is an intermediate-level lyrical solo. It serves well as an introduction to the Romantic period, especially the music of Chopin. There is even a short cadenza-type passage near the end.

With an accompaniment inspired by the slow movement of Chopin’s Third Sonata, Ron Levy has composed a meditative piano solo with an enchanting melody in a stately setting. This intermediate level composition focuses on building and sustaining a long lyrical line over a steady, supportive left hand.

Sun Suite, by Canadian composer Lisa Frederick, is a set of three contemporary lyrical solos celebrating the beauty of the sun at different points of the day. This set is ideal for intermediates of all ages and will function well as a set or as separate showcase solos.

Reassurance, composed by Rick Robertson, is an early intermediate level lyrical solo. It has a gentle sway in its rhythm, and a memorable melody. It could also be used as worship service music. It was inspired by the self-isolation and “social distancing” of the COVID-19 pandemic of 2020.

Moonlight Nocturne is a haunting intermediate lyrical solo composed by Lisa Shoemaker. This elegant work is ideal for students who love to play with passion and a touch of drama!

Wind Whirls, composed by Rick Robertson, is an early intermediate level showcase solo. Its passages divided between the hands give it a showy effect, with some interesting harmonies.

Space Waltz, composed by Ron Levy, is a delightful showcase solo for intermediates. This cinematic-style solo will serve as a great performance piece for recitals.

This ethereal piece by Stacy Fahrion quietly subverts the meaning of the famous poem by Lord Byron. Ideal for intermediates of all ages.

Potpourri is an imaginative collection of ten showcase solos composed by Barbara Becker. Full of evocative harmonies and a variety of genres, this is a songbook intermediates of all ages will enjoy growing with.

Linguine Tarantella, by Rick Robertson, is an intermediate level showcase solo. Written in the style of the Neapolitan Tarantella, its exciting dynamic changes and a cascade of flying octaves at the end will make this a showstopper for recital or festival.