Wellspring

All aboard the Orient Express! This collection of imaginative and elegant solos, composed by Barbara Becker, will take your early intermediate students on a sonic tour around the world!

Viva Mexico, composed by Barbara Becker, is a suite of showcase solos for early intermediates and up. These delightful pieces, full of character and lush harmonies will brighten your next recital or festival performance!

Bittersweet, composed by Rick Robertson is an intermediate-level solo in a neo-Romantic lyrical style. The melody features a slight rhythmic lilt, and there is an added surprise of a key change at the end. It will make an excellent recital choice for the growing performer.

Portrait No. 5: Refractions is an intermediate selection by Travis Lohmann, paying tribute to the minimalistic stylings of the Estonian composer Arvo Pärt. The main focus of this piece is slow moving harmonic changes which gradually shift over time. Performers will enjoy the lyrical yet longing melody which gently plays over top the bed of simplistic yet increasingly interesting harmonies. Teachers can help students discover and analyze the changing harmonies throughout. A wonderful selection for both voice-leading and dynamics, this piece is a fine addition for both recital and concerts.

Beethoven’s iconic Moonlight Sonata in a modern lyrical spin arranged by Jennifer Eklund. This mild and mellow version, transposed to the key of D minor, is ideal for intermediate level pianists.

Sky Castles, by Lisa Donovan Lukas, is a delightful, upbeat, lyrical showcase piece for the early intermediate pianist.

Seven Sisters is a study in 7/8 time, inspired directly by Etude No.16 by Philip Glass. There are two main motifs that are introduced individually. One low in the bass and the other high in the treble, that are then combined to create some fun crossing the hands back and forth over a driving ostinato based on only two chords. There is plenty of scope for dynamic variation and sensitivity to tonal balance, whilst also playing with energy and imagination.

Frenzy!, composed by Rick Robertson, is a fast & flashy late intermediate level toccata, with driving rhythms and quartal harmonies. It would make an exciting recital or festival selection.

Valse Parisienne is a lyrical piano solo by Canadian composer Lisa Frederick. Inspired by Chopin’s Waltz in B minor, this waltz is ideal for intermediates of all ages and a great way to introduce the concept of rubato.

Masquerade is a whimsical lyrical waltz in B minor composed by Chrisanne Nahum. This piece is ideally suited for intermediates and will delight students of all ages!

Those Who See, But Are Not Seen is a melancholy solo for sad ghosts composed by Stacy Fahrion. This piece is ideal for intermediates of all ages.

Spanish Dance, an energetic favorite by Jennifer Eklund, presented in a new extended remix to suit occasions like talent shows, competitions, and festivals that require pieces with a longer run-time. When played at the suggested tempo, this version clocks in around 3:00.

El Choclo is a fun and impressive tango arranged for intermediate piano solo by Piano Pronto author Jennifer Eklund.

Argument, by Rick Robertson, is an intermediate-level showcase solo. It is the perfect aggressive piece for the angst-ridden player, with polychords and a brief volley of tone clusters.

This book presents strategies for learning to play polyrhythms, from the most common ones, such as two against three, up through four against five. It contains rhythm exercises, improvisation suggestions, and thirteen pieces based on polyrhythms. Once you’ve worked with the book, you might develop intense cravings for more polyrhythms, and may even be inspired to compose polyrhythmic pieces of your own.

Prelude in E Minor, composed by Rick Robertson, is an intermediate level showcase solo in a neo-Baroque style. It is written in the style of Bach’s organ works as transcribed for piano by Ferruccio Busoni, and would make a good program opener for a developing pianist. Its minor key and somber sound also makes it suitable as a Halloween selection.

By the River, by Rick Robertson is an intermediate solo in a neo-Romantic lyrical style. Its gentle rocking in the left-hand accompaniment suggests the gentle flow of a river. It is very effective in performance, and makes an excellent repertoire choice for a developing pianist and could also be used as service music.

Something like Glass, written by British composer, Joanne Griffiths is a study in consistent and even playing of triplets in the right hand, with changing clefs in the left hand that explore the outer areas of the keyboard. Intermediates will enjoy the essence of Philip Glass that flows through this evocative solo.