Portrait No.1, Definitive Road, is a solo composed in the harmonic and melodic tendencies of Thomas Newman. Students will enjoy exploring the mysterious yet emotional chord qualities of this piece, as well as the variations of the melodic theme. This mid-intermediate to advanced level solo by Travis Lohmann is perfect for recital programming, preludes, and more.
Clocks by Joanne Griffiths has a contemporary feel with echoes of Philip Glass. Control, balance and concentration will be needed to maintain the 2 against 3 cross rhythms. Ideal for intermediates of all ages!
Ah, Capella! is a dream-like piece by Debbie Center, inspired by gazing at Capella, one of the brightest stars in the northern sky. Its lush jazz chords fit easily in the hands.
Blow the Wind Southerly is a traditional folk song from Northumberland, England arranged by Jenny Walker. Another familiar melody, “When the Boat Comes In” is combined with the main theme in the middle of the piece. The work tells the story of a woman desperately hoping for a southerly wind to blow her lover back home over the ocean to her. This is a variation-style piece going through several keys, suitable for the late-intermediate pianists.
My Father’s Waltz is a lyrical, pop-style piano solo for intermediate level by Lisa Donovan Lukas. This is a lovely expressive piece and offers an ideal lyrical showcase solo for students of all ages.
Pomp & Circumstance, a perennial graduation favorite, arranged in a lyrical style for late intermediate piano by Jennifer Eklund.
J.S. Bach’s iconic Jesu, Joy of Man’s Desiring, from Cantata No. 147, arranged in a contemporary lyrical style by Jennifer Eklund. This solo provides ample opportunity to work on interpretation, rubato, and lyrical artistry.
Ode to Joy arranged in a contemporary lyrical style for late intermediates by Jennifer Eklund.
It Is Well with My Soul in a lyrical setting with splashes of J.S. Bach’s “Arioso” from BWV 156 & 1056. This pensive solo, arranged by Jennifer Eklund, is ideal for late intermediates.
O, Store Gun, mingled the Largo movement from Dvorak’s Symphony No. 9, arranged in a contemporary lyrical style for late intermediates by Jennifer Eklund.
What a Friend We Have in Jesus in a peaceful setting arranged by Sarah Reaser O’Brien. This sacred classic is full of lush modern harmonies and will be enjoyed by intermediates of all ages. Includes a full sheet of lyrics with all three verses.
Mozart’s Eine kleine Nachtmusik, Movement 1 theme, arranged for intermediate piano solo by Jennifer Eklund. Part of the Piano Pronto: Encore method book.
J.S. Bach’s Jesu, Joy of Man’s Desiring arranged for intermediate level piano solo by Jennifer Eklund. Great for weddings and recitals! Part of the Piano Pronto: Encore method book.
Debbie Center’s exciting ragtime piece which came to her in a dream about fun times with her family on her Minnesota lake, Fifth Crow Wing. This playful, upbeat showcase will delight intermediates of all ages.
Glory & Praise, is a sacred medley that combines To God Be the Glory, Praise Him! Praise Him!, and Praise to the Lord, the Almighty. This arrangement by Sandra Zylstra is ideal for intermediates and up.
Remember Me is pop-style lyrical solo composed by Chrisanne Nahum. This piece is ideally suited for intermediates and will delight students of all ages!
I Need Thee Every Hour, in an elegant setting, arranged by Kevin Costley. This solo is ideal for intermediates of all ages.
Be Yourself is a contemporary lyrical solo by Lisa Donovan Lukas. This uplifting selection is ideal for intermediates of all ages.
Skye Boat Song, a traditional Scottish classic, arranged in a lyrical style for intermediates by Jennifer Eklund.
A serene and elegant piano solo interpretation of J.S. Bach’s iconic Prelude from Cello Suite No. 1. This arrangement by Jennifer Eklund will allow intermediates and up to work on layered voices, lyrical phrasing, and rubato.
Seven Sisters is a study in 7/8 time, inspired directly by Etude No.16 by Philip Glass. There are two main motifs that are introduced individually. One low in the bass and the other high in the treble, that are then combined to create some fun crossing the hands back and forth over a driving ostinato based on only two chords. There is plenty of scope for dynamic variation and sensitivity to tonal balance, whilst also playing with energy and imagination.
Written as a commemorative piece for the centenary of the battle of Beaumont-Hamel, July 1, 1916. Of the nearly 800 men who took part in the Allied offensive only 68 were to answer roll call the following day. Opening with the toll of bells this solo piano piece has a simple, yet haunting, Celtic-inspired melody played over a military drum-like drone.
Stately march by Sir Edward Elgar (1857 - 1934), Pomp and Circumstance March No. 1 (Trio). Often used as a graduation march and is traditionally the finale at the Last Night of the Proms. This arrangement by Gary Johnston is written in a homophonic chorale style suitable for most formal occasions.
Silver Lining, composed by Amanda W. Smith, is an elegant lyrical solo for intermediates. This piece is part of the Set Sail songbook.