Flutterbyes is an elegant, Chopin-esque waltz composed by Jane Tate. This showcase solo is ideal for intermediates of all ages!
Another Day, composed by Amanda W. Smith, is an elegant lyrical solo for intermediates. This piece is part of the Set Sail songbook.
Stately march by Sir Edward Elgar (1857 - 1934), Pomp and Circumstance March No. 1 (Trio). Often used as a graduation march and is traditionally the finale at the Last Night of the Proms. This arrangement by Gary Johnston is written in a homophonic chorale style suitable for most formal occasions.
Something on the Slide is a Satie-esque waltz composed by British composer Joanne Grifiths. The accompaniment is built on two positions, C and G, with octave leaps from the bass to the chord. Awareness of balance between the hands is needed for this, to bring out the melody.
Bunessan, a traditional Scottish melody also known as Morning Has Broken, arranged for intermediate violinists of all ages. Lush teacher accompaniment included making this selection ideal for recitals and other performance opportunities.
Spring Has Sprung, composed by Jennifer Eklund, is an elegant contemporary lyrical solo for intermediates and up.
Kum-ba-yah, is a beloved African-American folk hymn. This arrangement by Rick Robertson is given a “variation” treatment at the intermediate level suitable for recital, Black History presentations, or worship services.
I Surrender All, in a poignant setting, arranged by Kevin Costley. This solo is ideal for intermediates of all ages.
Daydream, composed by Jenny Walker, is an elegant contemporary lyrical solo for intermediates. This piece is part of the Nuances songbook.
Christ the Lord is Risen Today arranged in a lyrical style including splashes of J.S. Bach’s “Sleepers, Awake!” melody from Cantata No. 140. Ideal for intermediates and useful as an offertory selection for Easter services. Arranged by Jennifer Eklund.
Invention in C is a two-part invention in a traditional Baroque styling by Jennifer Eklund. This upbeat selection is ideal for intermediates of all ages!
Christ the Lord Is Risen Today in a majestic setting arranged by Sarah Reaser O’Brien. This sacred Easter classic is full of lush modern harmonies and will be enjoyed by late intermediates of all ages. Includes a full sheet of lyrics with all verses.
The Day of Resurrection!, in a jubilant setting arranged by Sarah Reaser O’Brien. This Easter classic is full of lush modern harmonies and will be enjoyed by intermediates of all ages. Includes a full sheet of lyrics with all verses.
Graduation is a jubilant lyrical waltz for intermediates composed by Barbara Becker. This piece is part of the Potpourri songbook.
Friendship of the Heart, composed by Ryan Chesser, is an expression of the intimacy of friendship, written as a late-intermediate piano solo. This lyrical solo will be an uplifting selection for any recital or just casual enjoyment!
Multi-level piano solo arrangements of an Easter favorite arranged by Ryan Chesser. Version 1 is arranged in a traditional hymn style while version 2 is arranged as a lyrical solo with syncopated rhythms and flowing accompaniment patterns.
His Eye is on the Sparrow, arranged as a restful solo for intermediates by Jennifer Eklund. This sacred classic includes a hint of the second movement of Beethoven’s Pathetique Sonata.
Clair de lune, by Claude Debussy, arranged for intermediate piano solo by Jennifer Eklund. Part of the Piano Pronto: Encore method book.
Rain is a pensive lyrical style showcase piano solo for late intermediate pianists. New Age meets Baroque, contemporary styling with elegant contrapuntal touches.
Ballad, composed by Rick Robertson, is a late intermediate solo that is suitable for recitals or festivals. It is reminiscent of romantic movie music and builds to a large climax before ending quietly.
Serious Moonlight, composed by Ron Levy, is a contemporary lyrical solo, inspired by Claude Debussy’s Clair de lune, for intermediates and late intermediates.
Exuberance and joy best describe this arrangement of Alleluia! Sing to Jesus by Lisa Shoemaker. Hemiolas and a quick tempo will give your student’s fingers a good workout!
A worshipful intermediate solo by teacher and church pianist Christina Mathis. With its lyrical melody and full chords, this piece will enhance any worship service or recital.
Picking Lilacs, composed by Travis Lohmann, features light influences of jazz, as well as lyrically phrased melodies. Best suited for mid to late-intermediate pianists, this composition can work both as a contemplative opener for a concert, as well as middle interlude between selections. The light-hearted tone of this piece, as well as its whimsical nature is sure to be a perfect performance piece for any concert.