Custom Filter

On the Run by Heather Nanney is an attention-grabbing beginner solo with lots of energy. Its fast moving lines will have students hooked! Play-along tracks in MIDI and Mp3 format included with purchase!

Glass Houses by Amanda W. Smith is a mysterious sounding, video-game style duet for two beginners in the key of C minor.

End Game is our most popular easy pop-style tune. This multi-pack includes all three versions of the “can’t miss” solo graded from late beginners through early intermediates. Music composed by Jennifer Eklund.

Spin My Web is a vexing and spooky, evenly-leveled duet for two late beginners. Composed by Chrisanne Nahum, this student-favorite, remains primarily in 5-finger position as the two parts weave together to spin an intricate web of sound! This piece has been selected for the NFMC Festivals Bulletin, 2020-2024.

End Game, a perennial favorite, arranged as a trio for six hands, on one piano by Jennifer Eklund. This selection is ideal for late beginners of all ages and includes a full conductor’s score and the three separate student parts. This piece has been selected for the NFMC Festivals Bulletin, 2020-2024.

Trick or Treat Trio is an easy, evenly-leveled trio for late beginners by Jennifer Eklund. Perfect for Halloween or any time of the year when a spooky mood strikes! Includes separated parts and a full conductor’s stacked score for convenience.

Spooky Spooks, composed by Kevin Costley, is an easy mysterious solo for late beginners. This piece provides a great opportunity to work on articulations.

Dark to Light is a fast and flashy solo for early intermediates composed by Jennifer Eklund. This showcase piece serves as a great introduction to 6/8 time and sixteenth notes.

Dark to Light is a fast and flashy evenly-leveled duet for two early intermediates. Music by Jennifer Eklund.

Knock, Knock, Knock! is an evenly-leveled duet for late-beginners by Chrissy Ricker. This piece is sneaky, jazzy fun for all ages! This piece has been selected for the NFMC Festivals Bulletin, 2020-2024.

Terrifying Trilogy is an eerie and mysterious three-piece set with Hitchcock-inspired titles spanning late-elementary to early intermediate levels. All three pieces are in an expanded C minor five-finger hand position. With fast-slow-fast tempo indications, the three solos work well as movements of a modern sonatina or as stand-alone material.

Hungry for a fast & flashy showcase solo? Stataco Tostada is a cheeky ode to the common mispronunciations we’ve all heard a million times. This early intermediate showcase solo, arranged by Jennifer Eklund, is loosely based on traditional Mexican folk melodies and provides a great opportunity for students to work on articulations and chord inversions.

12th Street Rag, composed by Euday L. Bowman, an infectious little ear-worm, arranged as an evenly-leveled early intermediate duet, by Jennifer Eklund. Separated parts and a full stacked-score are both included.

Gobble Wobble Rag is an upbeat pattern-based ragtime solo composed by Jennifer Eklund. This is a great exercise for early intermediates with a focus on split articulations between the hands. Gobble, gobble!

Scary Movie, by Rick Robertson is an early intermediate level showcase solo, inspired by the beloved “Ballade” by Burgmüller. In addition to being an excellent seasonal Halloween selection, it will help the young player develop technical skills, all wrapped up in less than a minute of fun!

Black Cat Boogie, composed by Rick Robertson, is an early-intermediate jazzy showcase solo in a Boogie-Woogie style. It is very effective in performance, and should be a hit on any recital program. It is purposefully written in G-flat major, and uses black-key pentatonic melodies.

Creepy Critter Dance, composed by Paul Sweet, is a cheeky, creepy showcase solo for early intermediates. Spooky harmonies and upbeat patterns make it a great selection for Halloween recitals or any time of the year!

Prelude in E Minor, composed by Rick Robertson, is an intermediate level showcase solo in a neo-Baroque style. It is written in the style of Bach’s organ works as transcribed for piano by Ferruccio Busoni, and would make a good program opener for a developing pianist. Its minor key and somber sound also makes it suitable as a Halloween selection.

Long-Legged Spinners is a whimsically macabre solo composed by Stacy Fahrion. This solo is ideal for intermediates of all ages and is part of the Lullabies for Arachnophobes songbook.

The Lovelorn Lobster is a song from 1897 with words by Joseph W. Herbert. Stacy Fahrion wrote her own original whimsically macabre music to the poignant lyrics about love between a lobster and a piscatorial maiden going terribly awry. A timeless, classic theme for Valentine’s Day, or any occasion!

A Wise Old Owl is inspired by a nursery rhyme of the same title and set here as a whimsically macabre solo for intermediates by Stacy Fahrion. If you’re playing on a grand piano, before beginning the piece you can silently depress the low F octave and sustain it throughout with the sostenuto pedal for an added mysterious effect. This is an optional effect, and the piece still works well without it. The damper pedal is often left down for extended periods of time as well for a swirling effect.

Tarantella is a virtuosic, spellbinding piece for advanced pianists composed by Stacy Fahrion. The time signature is 6/8, although one of the recurring left hand patterns is in 7/8. In the recording, the piano is deliberately detuned, intensifying the dissonances of the double harmonic major scale by lowering the minor 2nd and minor 6th slightly, and raising the major 3rd and major 7th slightly. The percussion sounds are created by placing a tambourine on the bass strings of the piano. Detuning your piano and tossing a tambourine in it is entirely optional, although the composer encourages it.

Ragtime Dance is a bright, upbeat ragtime dance by Scott Joplin. This arrangement by Jennifer Eklund is ideal for intermediates of all ages!

Grandpa’s Gramophone, composed by Rick Robertson, is an early intermediate ragtime solo that evokes the sound of dance bands of the early 1920s.