Composers Community™

The Swan by Camille Saint-Saens is presented here in an early intermediate arrangement by Rick Robertson. This favorite will appeal to pianists of all ages.

Arabesque, composed by Rick Robertson, is an early intermediate-level lyrical solo. Its melody moves in easily-accessible patterns up and down the white keys.

Romance in D Flat, composed by Rick Robertson, is an elegant solo for late-intermediate and early-advanced-level lyrical pianists of all ages. It is an appropriate repertoire piece for recitals, contests, and festivals.

On Your Mark by Rick Robertson is a fast and flash late-elementary level showcase solo. It stays in a fixed hand position and enables the student to work on velocity.

Nuit d’etoiles (Starry Night) by Rick Robertson is a late intermediate-level lyrical solo that will appeal to pianists of all ages, and is an excellent introduction to the Impressionist style. Includes glossary of French terms and music history lesson about the Impressionist era.

Live for Today, composed by Rick Robertson, is an intermediate-level inspirational lyrical solo. It appeals to pianists of all ages and can be used as service music as well.

Left Alone, composed by Rick Robertson, is an intermediate-level written for left hand alone. It appeals to pianists of all ages, and can also be played by both hands. This piece has been selected for the NFMC Festivals Bulletin, 2020-2024.

Lazy Afternoon by Rick Robertson is an early-intermediate-level lyrical solo. The flowing style and ease will appeal to pianists of all ages.

Celestial Cloud, by Rick Robertson, is and ambient, new age style space piece that has lots of potential as a pupil saver. Highly pattern-based in natured this piece will bring guaranteed success to early intermediates of all ages.

Arietta, composed by Rick Robertson, is a late-intermediate-level lyrical solo. Its plaintive melody over a rich harmonic palette appeals to pianists of all ages.

Cloudy Day, composed by Rick Robertson is a wistful, elegant solo ideal for late-elementary through early intermediate pianists of all ages.

Chanson, composed by Rick Robertson, is an early intermediate-level lyrical solo. With its haunting melody and interesting harmonic turns this piece is useful for recitals, weddings, or church services.

Alone, but Not Lonely by Rick Robertson is an intermediate-level lyrical solo. This contemplative showcase will appeal to pianists of all ages.

Argument, by Rick Robertson, is an intermediate-level showcase solo. It is the perfect aggressive piece for the angst-ridden player, with polychords and a brief volley of tone clusters.

Tiny Lullaby by Rick Robertson is a brief elegant solo for the expressive early-intermediate performer. Ideal for students all ages and appropriate as church service music.

Look to the Sky, composed by Rick Robertson, is a lyrical, elementary level solo. It has the bonus of an optional duet/obligato part, playable on piano, flute, or violin.

Petite Reverie is a contemporary lyrical solo composed by Rick Robertson that will appeal to pianists of all ages. Full of lush harmonies and a sweeping melody this piece will suit any occasion including church services and weddings.

Spiderwebs Above Your Bed is a whimsically macabre ragtime solo in D minor by Stacy Fahrion that’s tailor-made for Halloween recitals! The delicate, eerie opening quickly spins into the main spiderweb theme, complete with spine-tingling arpeggios. Perfect for intermediate pianists, this piece isn’t just fun—it’s also a sneaky way to prep students for tackling Joplin’s iconic rags.

Stars in the Sky invites pianists on a shimmering journey through a magical winter landscape, where each note glimmers like starlight on a cold, clear night. This piece in A minor features a delicate three-against-two rhythm, perfect for developing rhythmic independence while creating an ethereal soundscape. Ideal for winter-themed recitals or any occasion where you want to capture the beauty of the night sky, this piece by Stacy Fahrion invites intermediate pianists to explore rhythm and expression in a way that feels as timeless as the stars themselves. The title is a mnemonic phrase for the composite three against two rhythm.

The Eternal Spectator by Stacy Fahrion is a haunting late-intermediate solo in D minor. Evoking the introspective elegance of Satie with subtle nods to J.S. Bach, this piece unfolds in 5/8 time signature. Its slowly flowing phrases and melancholic undertones invite deep emotional expression and reflection. The title is a phrase from a short story by the speculative fiction author Ursula K. Le Guin.

Diabolical Dance is a wild ride through 10/8 time with a relentless 3+2+2+3 groove. This dramatic piece by Stacy Fahrion will give advanced students a chance to highlight their rhythmic skills. Featuring contrapuntal lines culminating in tone clusters, this piece will be a delight when featured in Halloween recitals, or any time your students are looking for a flashy minor-key piece with fun asymmetrical rhythms.

This seemingly innocent little tango by Stacy Fahrion lures you in with its deceptive opening, only to reveal a darkly dramatic middle section. Intermediate pianists will revel in the chance to unleash thick, dissonant chords that build intensity and suspense. Ideal for a Halloween recital or whenever you’re in the mood to stir up some musical drama. This piece is part of the “Once Upon a Time” songbook.

What defines a Halloween piece, other than a piece in a minor key with an eerie title? Inspired by the whimsically macabre words of Edward Gorey, this piece by Stacy Fahrion beckons you into a haunting waltz that defies convention with its 5/8 time signature. It offers rhythmic twists that promise to challenge and enchant late intermediate pianists, turning their practice into a ghostly dance of mystery at the keys. This piece is part of the “These Are Odd Times” songbook.

This exhilarating Toccata by Stacy Fahrion gives advanced pianists an opportunity to showcase their rhythmic skills. A bold hemiola-based theme in 6/8 gives this piece a dancelike rhythmic vitality. Use of the double harmonic major scale makes it sound mysterious and earthy. Ideal for conjuring up drama at Halloween recitals, or any time your students crave a dramatic and rhythmic piece. This piece is part of the “Polyrhythms for Pianists” method book.