May You Find Your Peace

October is an intermediate new age piece by Sarah Reaser O’Brien, NCTM. The constantly moving triplet figures in both hands are meant to evoke the swirling motion of colorful autumn leaves blowing about in the breeze. Rather than centering on a traditional melodic line, October allows students to create a mood or effect by experimenting with dynamic inflection and rubato to vary each performance. Dynamic indications in the score are merely suggestions – performers are meant to make this free-flowing piece their own.

Reminiscense, composed by Rick Robertson, is an early intermediate level lyrical solo. It has a haunting melody with a contrasting middle section.

Simple Love Song, composed by Ron Levy, is an elegant solo that will delight intermediates of all ages.

Winter Walk by Jane Tate is a peaceful solo that would be suited to the early to middle intermediate player of any age. It will be a charming addition to any recital or performance opportunity.

Babbling Brook, composed by Sara Tomlinson, is an elegant lyrical solo for intermediates. This piece is part of the Creation Collage songbook.

Celestial Cloud, by Rick Robertson, is and ambient, new age style space piece that has lots of potential as a pupil saver. Highly pattern-based in natured this piece will bring guaranteed success to early intermediates of all ages.

Interlude, by Rick Robertson, is a peaceful and pensive minor-key solo for intermediates. This piece is part of the Souvenirs songbook.

The Secret is a mysterious, minor-key lyrical solo for early intermediates of all ages by Jennifer Eklund. This elegant piece offers the opportunity for budding musicians to explore nuanced harmonies and work on expressive playing and use of rubato. This piece is part of the Shades of You songbook.

Summer Sunset, composed by Sara Tomlinson, reflects an ending of something beautiful. The melody swirls throughout the piece as rich layers are added through arpeggios in the left hand. This lyrical solo is ideal for intermediates of all ages.

Reflection is a lyrical solo by Sara Tomlinson with a reflective quality. The piece is in 6/8 time in the key of A minor. The listener could easily get lost in the melody, which is supported by a hypnotic left-hand accompaniment.

Day’s End, composed by Rick Robertson is an intermediate level ambient, light jazz solo with a mature" sound. This piece will appeal to teens and adults as well.

Waiting Is…, composed by Ron Levy, is an elegant lyrical solo for intermediate and beyond. This peaceful solo serves as a great exercise for players to explore rubato and lyrical phrasing.

Sky, composed by Chrissy Ricker, is an elegant lyrical solo for intermediates. This piece is part of the “Three Sketches in Blue” suite that is included in the Rhapsodies and Reveries Volume Two songbook.

Emerald Gem, composed by Ron Levy, is a meditative solo for intermediates, full of lush harmonies and a haunting melody. Cover photography from Back Bay, Newport Beach by Ron Levy.

By the River, by Rick Robertson is an intermediate solo in a neo-Romantic lyrical style. Its gentle rocking in the left-hand accompaniment suggests the gentle flow of a river. It is very effective in performance, and makes an excellent repertoire choice for a developing pianist and could also be used as service music.

Morning Stretch is a lyrical contemporary arrangement of Grieg’s Morning Theme and is part of the Dog Days songbook. Music by Jennifer Eklund.

Winter Wind, composed by Sara Tomlinson, is an elegant lyrical solo for intermediates. This piece is part of the Creation Collage songbook.

Lamentations is suite of solos composed by Joanne Griffiths for intermediate players to explore time signature changes, comparisons between simple and compound time, minimalism, and mostly how to express mood and emotion. Breathe is a peaceful, calming minimalist piece pushing the boundaries of 3/4 time and crossing it with more than a suggestion of 6/8. For Carolyn is an uplifting piece with lilting, contrasting themes, in Rondo form. Finally, Sorrow is an expression of grief, with a “bell tolling” theme throughout. It is also minimalist, centered around A minor and changing from 3 to 4 beats in the bar and covering several octaves of the piano.