Finding My Way

Cheaha Skyline, by Rick Robertson, is an intermediate level lyrical piano solo, written in homage to his home state of Alabama. Cheaha Mountain, at 2,413 feet, is the highest point in Alabama.

Imagination is an upbeat, lyrical solo by Sara Tomlinson. The opening features contrary motion between the hands, followed by lyrical and driving sections. If you or your student enjoy music with life and movement, this piece is for you!

Reassurance, composed by Rick Robertson, is an early intermediate level lyrical solo. It has a gentle sway in its rhythm, and a memorable melody. It could also be used as worship service music. It was inspired by the self-isolation and “social distancing” of the COVID-19 pandemic of 2020.

Day’s End, composed by Rick Robertson is an intermediate level ambient, light jazz solo with a mature" sound. This piece will appeal to teens and adults as well.

Cosmic Mystery, composed by Rick Robertson, is an ambient solo that can also be performed effectively on an electronic keyboard.

Regrets, composed by Rick Robertson, is an intermediatelevel solo in a neo-Romantic lyrical style. It features a melody in light jazz style featuring some parallel seventh chords, often in stepwise motion. Its sophisticated sound will also appeal to teens and adults. This piece is part of the Kaleidoscope Volume 2 songbook.

Impressions is a suite of contemporary lyrical solos by Jennifer Eklund that will be a hit with intermediates of all ages.

Lamentations is suite of solos composed by Joanne Griffiths for intermediate players to explore time signature changes, comparisons between simple and compound time, minimalism, and mostly how to express mood and emotion. Breathe is a peaceful, calming minimalist piece pushing the boundaries of 3/4 time and crossing it with more than a suggestion of 6/8. For Carolyn is an uplifting piece with lilting, contrasting themes, in Rondo form. Finally, Sorrow is an expression of grief, with a “bell tolling” theme throughout. It is also minimalist, centered around A minor and changing from 3 to 4 beats in the bar and covering several octaves of the piano.

Contentment, composed by Rick Robertson, is a lyrical solo for early intermediates with a mature sound. Long pedal effects add to the atmosphere.

Castle in the Clouds is an elegant solo for advancing early intermediates of all ages composed by Jennifer Eklund. This showcase solo is a great way to introduce syncopation and an advanced key signature since the piece requires very few shifts in hand position.

Summer Evening, composed by Rick Robertson, is an early intermediate level solo in a light-jazz lyrical style. It is highly patterned, easily learned, and makes an excellent performance choice.

Summer Sunset, composed by Sara Tomlinson, reflects an ending of something beautiful. The melody swirls throughout the piece as rich layers are added through arpeggios in the left hand. This lyrical solo is ideal for intermediates of all ages.

Romantic Stroll, composed by Sara Tomlinson, is an elegant lyrical solo for intermediates. This piece is part of the Creation Collage songbook.

Celestial Cloud, by Rick Robertson, is and ambient, new age style space piece that has lots of potential as a pupil saver. Highly pattern-based in natured this piece will bring guaranteed success to early intermediates of all ages.

Waiting Is…, composed by Ron Levy, is an elegant lyrical solo for intermediate and beyond. This peaceful solo serves as a great exercise for players to explore rubato and lyrical phrasing.

Hymne, composed by Rick Robertson, is a lyrical solo with a mature sound. It is highly melodic and suitable for recital or service use.

Introspection, composed by Rick Robertson is an intermediate level ambient solo with a mature sound. An opening lyrical, chordal section contrasts with a middle section featuring displaced accents. It also gives the performer an opportunity to experience the key of E-flat minor in a less intimidating setting.

Calm, composed by Jenny Walker, is a peaceful meditative solo for intermediates. The left hand provides a gentle, rocking accompaniment, much of which is in the treble clef. The mood is fairly constant throughout and there is room for some rubato when the left hand reach increases towards the middle of the work.