Cheaha Skyline

Emerald Gem, composed by Ron Levy, is a meditative solo for intermediates, full of lush harmonies and a haunting melody. Cover photography from Back Bay, Newport Beach by Ron Levy.

Calm, composed by Jenny Walker, is a peaceful meditative solo for intermediates. The left hand provides a gentle, rocking accompaniment, much of which is in the treble clef. The mood is fairly constant throughout and there is room for some rubato when the left hand reach increases towards the middle of the work.

Fading into Twilight is a mysterious, minor key, contemporary lyrical solo that will be a hit with intermediates of all ages. Part of the Dreamweaver songbook. This piece has been selected for the NFMC Festivals Bulletin, 2020-2024.

Beethoven’s iconic Moonlight Sonata in a modern lyrical spin arranged by Jennifer Eklund. This mild and mellow version, transposed to the key of D minor, is ideal for intermediate level pianists.

Peaceful Slumber, composed by Jenny Walker, is an elegant lyrical solo for intermediates that serves as an excellent introduction to playing in 5/8 time.

Lamentations is suite of solos composed by Joanne Griffiths for intermediate players to explore time signature changes, comparisons between simple and compound time, minimalism, and mostly how to express mood and emotion. Breathe is a peaceful, calming minimalist piece pushing the boundaries of 3/4 time and crossing it with more than a suggestion of 6/8. For Carolyn is an uplifting piece with lilting, contrasting themes, in Rondo form. Finally, Sorrow is an expression of grief, with a “bell tolling” theme throughout. It is also minimalist, centered around A minor and changing from 3 to 4 beats in the bar and covering several octaves of the piano.

Chopin’s iconic Nocturne in F Minor, Op. 55, No. 1, remixed in a modern lyrical spin by Jennifer Eklund. This mild and mellow abridged version is ideal for intermediate level pianists.

Hymne, composed by Rick Robertson, is a lyrical solo with a mature sound. It is highly melodic and suitable for recital or service use.

Evening Elegy, composed by Chrissy Ricker, is a lyrical gem with a rhapsodic middle section and plenty of room for students to work on lyrical phrasing and rubato. This intermediate level solo is part of the Rhapsodies and Reveries Volume Two songbook.

This book presents strategies for learning to play polyrhythms, from the most common ones, such as two against three, up through four against five. It contains rhythm exercises, improvisation suggestions, and thirteen pieces based on polyrhythms. Once you’ve worked with the book, you might develop intense cravings for more polyrhythms, and may even be inspired to compose polyrhythmic pieces of your own.

Something To Come Home To is a cozy and flowing intermediate level lyrical solo by British composer, Joanne Griffiths.

This piece was inspired by a breathtaking midnight kayak ride on our lake in northern Minnesota. It was my birthday, and the water was completely still, beautifully reflecting every star as well as the rising Super Moon.

Faith, composed by Rick Robertson, is an intermediate reflective lyrical solo. Its melody and mood make it equally suitable for recital or service use.

Reassurance, composed by Rick Robertson, is an early intermediate level lyrical solo. It has a gentle sway in its rhythm, and a memorable melody. It could also be used as worship service music. It was inspired by the self-isolation and “social distancing” of the COVID-19 pandemic of 2020.

Appalachian Rhapsody, composed by Chrissy Ricker, is a breathtaking showcase solo for intermediates with varied sections of sweeping lyrical melodies and lively dance themes. This piece is part of the Rhapsodies and Reveries Volume Two songbook.

Trillium is a graceful lyrical solo composed by Sarah Reaser O’Brien. This elegant waltz is ideal for intermediates.

Summer Evening, composed by Rick Robertson, is an early intermediate level solo in a light-jazz lyrical style. It is highly patterned, easily learned, and makes an excellent performance choice.

Summer Sunset, composed by Sara Tomlinson, reflects an ending of something beautiful. The melody swirls throughout the piece as rich layers are added through arpeggios in the left hand. This lyrical solo is ideal for intermediates of all ages.