Invention in C

Whimsy & Wonder features ten delightfully macabre solos for intermediates composed by Stacy Fahrion. These quirky, neoclassical twists on favorite nursery rhymes will delight pianists of all ages who are looking for unique performance pieces.

The Madison Suite, composed by Barbara Becker, is a three-movement set of character pieces for late intermediate pianists that spans a variety of genres and will showcase the artistic skills of developing artists.

Fugue in C minor is a contrapuntal work in a traditional Baroque styling by Jennifer Eklund. This is a great way to introduce counterpoint and fugue technique to intermediates of all ages!

This book presents strategies for learning to play polyrhythms, from the most common ones, such as two against three, up through four against five. It contains rhythm exercises, improvisation suggestions, and thirteen pieces based on polyrhythms. Once you’ve worked with the book, you might develop intense cravings for more polyrhythms, and may even be inspired to compose polyrhythmic pieces of your own.

Composer Stacy Fahrion transforms Three Blind Mice, Itsy Bitsy Spider, and a snippet of Rain, Rain, Go Away into a mystical minor showpiece.

Picking Lilacs, composed by Travis Lohmann, features light influences of jazz, as well as lyrically phrased melodies. Best suited for mid to late-intermediate pianists, this composition can work both as a contemplative opener for a concert, as well as middle interlude between selections. The light-hearted tone of this piece, as well as its whimsical nature is sure to be a perfect performance piece for any concert.

Queen of the Night’s Vengeance Aria, from Mozart’s opera The Magic Flute, arranged as an intermediate piano solo arrangement by Jennifer Eklund. Part of the Piano Pronto: Encore method book.

In his third installment of the Kaleidoscope series, composer Rick Robertson spins a web of evocative, elegant harmonies encapsulated within thirteen spectacular solos for advancing intermediates. This book contains selections for the NFMC Festivals Bulletin, 2020-2024.

Barcarolle, composed by Rick Robertson, is a late intermediate level solo in a neo-Romantic lyrical style that evokes the music of Mendelssohn, in his Venetian Gondola Songs. It is very effective in performance, and makes an excellent repertoire choice for a developing pianist for recital or festival.

The Exquisite Melancholy of Everything Left Unuttered is a delicate waltz in E minor composed by Stacy Fahrion. There is an optional cut notated in the score to accommodate students at a lower intermediate level.

Sleeping Beauty Waltz, by Pyotr Ilyich Tchaikovsky, arranged by Lisa Donovan Lukas for solo piano, is a delightful, lyrical showcase piece for the intermediate pianist.

Intermezzo in B Minor, composed by Rick Robertson, is a late-intermediate-level solo in a neo-Romantic lyrical style. It has a calm, understated mood and is very effective in performance, and makes an excellent repertoire choice for recitals or festivals.

Clair de lune, by Claude Debussy, arranged for intermediate piano solo by Jennifer Eklund. Part of the Piano Pronto: Encore method book.

Pas de deux, from Tchaikovsky’s Nutcracker ballet, abridged and arranged as a lyrical intermediate piano solo by Jennifer Eklund.

Wandering is a beautiful, intermediate lyrical solo by composer Lisa Shoemaker. Rubato style and an uplifting sound will make this a student favorite!

Dance of the Sugar Plum Fairy, from Tchaikovsky’s Nutcracker ballet, arranged for late intermediate piano by Jennifer Eklund.

Chalumeau, composed by Rick Robertson is a late-intermediate level solo in a neo-Romantic lyrical style. It is inspired by the “chalumeau” register of the clarinet, with its low, rich tones (named after a reed instrument that preceded the clarinet). The melody lies close to the middle of the keyboard, and the accompaniment moves above and below it, giving an opportunity to work on voicing and balance.

These Are Odd Times, by Stacy Fahrion, is a whimsically macabre collection of solos composed in odd meters. Rife with less common meters, shifting time signatures, and intricate contrapuntal textures, this collection provides a rewarding challenge for late-intermediate and advanced pianists.