Moonlight Sonata (a modern spin)

Moonlight Sonata multi-pack features three high-quality solo arrangements by Jennifer Eklund: one for late beginners, one intermediate version in E minor, and an intermediate version in the original key of C-sharp minor. Music history lesson pages included!

Beethoven’s iconic Moonlight Sonata in a modern lyrical spin arranged by Jennifer Eklund. This mild and mellow version, transposed to the key of D minor, is ideal for intermediate level pianists.

Moonlight is a lyrical solo with a splash of Beethoven’s “Moonlight Sonata” throughout. This piece, composed by Chrissy Ricker, is ideal for intermediates and is part of the Let’s Quest Volume 3 songbook.

Moonlight Sonata arranged thoughtfully for late-beginning level students of all ages. This shortened version of Beethoven’s iconic melody, arranged by Jennifer Eklund, includes music history pages and the easy piano solo version in E minor.

Moonlight Sonata piano solo arrangement for intermediates that retains the original key of C-sharp minor but adjusts some of the large stretches. Music arranged by Jennifer Eklund and includes music history pages.

A Touch of Moonlight is an ideal “starter” version of the theme from Beethoven’s “Moonlight Sonata” This arrangement by Jennifer Eklund presents the student part at the primer level set in a 5-finger positioning and includes a duet part to complete the soundscape.

Moonlight Sonata arranged thoughtfully for intermediate level students of all ages. This version of Beethoven’s iconic melody, transposed to the key of E minor, is arranged by Jennifer Eklund. This piece, which includes a music history lesson, is part of the Beethoven: Exploring His Life & Music songbook.

The Moonlight Sonata mega-pack includes six piano solo arrangements of this Beethoven classic by Jennifer Eklund and spans a variety of levels from beginning through advanced levels.

Chopin’s iconic Nocturne in F Minor, Op. 55, No. 1, remixed in a modern lyrical spin by Jennifer Eklund. This mild and mellow version, includes all sections of the original piece, is ideal for late intermediate and advanced level pianists.

Lighthouse in the Fog, composed by Rick Robertson, is a late-intermediate level Impressionist lyrical solo. It is an appropriate repertoire piece for recitals, contests, and festivals.

Chopin’s iconic Nocturne in F Minor, Op. 55, No. 1, remixed in a modern lyrical spin by Jennifer Eklund. This mild and mellow abridged version is ideal for intermediate level pianists.

The Exquisite Melancholy of Everything Left Unuttered is a delicate waltz in E minor composed by Stacy Fahrion. There is an optional cut notated in the score to accommodate students at a lower intermediate level.

Awkward Waltz is a tender, minor-key anthem for introverts composed by Stacy Fahrion. This contemplative gem will be a hit with teens and intermediates of all ages.

In Harmony All Ways features nine ambient, lyrical solos by composer Debbie Center. These soothing piano reflections inspired by Minnesota’s Lake Country will provide enjoyment for intermediate to advanced pianists of all ages.

Nice Little Monster is a bluesy piece by Stacy Fahrion about a creature that is tired of being called a little monster. Ideal for intermediates of all ages.

A substantial and captivating descriptive piano work by Jenny Walker depicting an Irish stream from its small pure beginning high in the hills gaining volume and depth as it torrents through the forest. A reel interrupts the flow as the water dances over rocks and echoes of the stream are heard as it is swallowed up by the ocean. Winner of the European Piano Composers Competition, 2014.

A playful intermediate level composition by Debbie Center. You’ll love the surprises as it echoes the call of the Song Sparrow and gets it dancing. Free nature play-along track included with purchase!

Portrait No.3 A Treasured Moment, is a late intermediate solo composed by Travis Lohmann, which pays homage to the Impressionistic colors of French composer Claude Debussy. A contemplative beginning with resonant and sonorous chords is a fantastic way to get students thinking about touch and tone color when performing. The increasingly more energetic middle section allows students to become more dexterous with rapid arpeggiated extended chords, as well as the evocative colors of the whole tone scale. The piece concludes with a distant call-back to the original main theme with jazz-influenced harmonies before having a triumphant send off of lush chords reminiscent of bells tolling far away.