Prelude in C Minor

Ragtime Rhapsody, is a ragtime spin on Franz Liszt’s “Hungarian Rhapsody No. 2.” This fast & flashy arrangement by Chrissy Ricker, ideal for intermediates, will dazzle audiences at your next recital.

Learn about Mozart’s life while playing finely-crafted arrangements of his most popular melodies. Music and materials by Piano Pronto author Jennifer Eklund.

2024 Updated E-book: The scores in this book have received an update. None of the music has changed, only the engravings have been altered.

Ravel’s iconic Pavane pour le infante defunte arranged for intermediates by Jennifer Eklund. Part of the Piano Pronto: Movement 5 method book.

Learn about Beethoven’s life while playing finely-crafted arrangements of his most popular melodies. Music and materials by Piano Pronto author Jennifer Eklund.

2024 Updated E-book: The scores in this book have received an update. None of the music has changed, only the engravings have been altered.

It has been said that the Chopin Waltzes are ‘dances for the soul, not the body.’ Filled with a range of emotion, the Waltzes have been simplified and arranged by Lisa Shoemaker with younger players in mind, or those who simply want to enjoy Chopin’s masterpieces with less work!

An elegant piano solo interpretation of the first movement of Vivaldi’s Violin Concerto in A Minor (RV. 356). This abridged arrangement by Jennifer Eklund will allow intermediates and up to work on lyrical phrasing, dynamics, and rubato. The approximate run time of this solo is 2:30.

Moonlight Sonata arranged thoughtfully for intermediate level students of all ages. This version of Beethoven’s iconic melody, transposed to the key of E minor, is arranged by Jennifer Eklund. This piece, which includes a music history lesson, is part of the Beethoven: Exploring His Life & Music songbook.

March of the Toy Soldiers, from Tchaikovsky’s iconic Nutcracker ballet, arranged for early intermediates by Jennifer Eklund.

Mozart’s iconic Symphony No. 40 theme, arranged for intermediates by Jennifer Eklund. This piece is part of Piano Pronto: Movement 3 and includes a teacher duet part.

Caprice by Nicole Paganini, arranged for intermediates by Jennifer Eklund. This piece is part of Piano Pronto: Movement 3 and includes a teacher duet part.

Fur Elise educational pack features seven unique arrangements of this piano favorite, including two duets, at various levels. Includes biography of Beethoven and music history page with the background information about this perennial favorites. Arrangements and instructional material by Jennifer Eklund.

Vivaldi’s Winter Theme No. 3 from The Four Seasons, arranged for intermediate piano solo by Jennifer Eklund. Part of the Piano Pronto: Finale method book.

Medley from Tchaikovsky’s Nutcracker ballet, including the Pas de deux and Dance of the Sugar Plum Fairy, arranged for intermediates, by Lisa Donovan Lukas.

Chopin’s iconic Fantaisie Impromptu, arranged in a contemporary lyrical style by Jennifer Eklund. This solo, for early intermediates and up, provides ample opportunity to work on interpretation, rubato, and lyrical artistry.

Schumann’s Traumerei arranged for intermediates by Jennifer Eklund. This arrangement stays true to the original, but modifies the large stretches. Part of the Piano Pronto: Finale method book.

Fur Elise arranged for intermediates by Jennifer Eklund. This piece is part of Piano Pronto: Movement 3 and includes a teacher duet part.

Ave Maria arranged for intermediates by Jennifer Eklund. This piece is part of the Piano Pronto: Finale method book.

Circle of Friends, by Rick Robertson, is a two-volume collection containing a total of 24 character pieces for piano in each of the major and minor keys (minus enharmonic equivalents), in a manner similar to the Prelude sets by Chopin, Rachmaninoff, and the like. The sequence as published is arranged in a rough order of difficulty, allowing for convenience in page turns here and there.

The title alludes as well to the familiar “Circle of Keys’. As for “friends”, each piece is dedicated to a close friend, colleague, or student. A few pieces in Volume One are at the early intermediate level, while Volume Two is solidly at the intermediate level with a steady trajectory of more demanding musical concepts.