Come Away

The Very Blue Danube, is an intermediate level jazzy remix of the famous Strauss waltz arranged by Chrissy Ricker. This piece is part of the Rockin’ the Classics songbook.

Open Spaces, composed by Sarah Reaser O’Brien, is a part of a series of pieces focused on contemporary idioms. This piece serves to introduce students to playing in a free meter with the absence of barlines and is suitable as a contemporary festival selection.

This mysterious-sounding intermediate-level etude by Stacy Fahrion is ideal for introducing quarter-note triplets to students, and also is a wonderful recital piece. It eases students into playing 2 against 3 and 3 against 2 polyrhythms, and through playing it, students will learn how eighth-note triplets and quarter-note triplets relate. It begins in G Dorian and ends in D minor. Proxima Centauri is the closest star to the sun, but isn’t visible to the eye alone.

Zorro is a lively Spanish-style showcase solo composed by Sara Tomlinson. This early intermediate piece will make for an exciting solo at your next recital!

Isolation was written in early 2020 by Stacy Fahrion. This expressive intermediate piece begins and ends in 5/4, and features palindromic rhythms (rhythms that are the same backwards and forwards) and a gentle two against three polyrhythm in the middle section.

Paper Airplane by Sara Tomlinson is an expressive and flowing piece at the late intermediate level. Students will find the chromatic scales and left-hand crossovers fun and impressive. Suitable for students for intermediates of all ages.

Allegro Burlesco, by Rick Robertson, is an intermediate level showcase solo. Its crisp texture and rapid passagework will make an effective recital selection, and could even be used as a prelude or postlude for festive church occasions.

Toccata Staccata, composed by Rick Robertson is an intermediate level showcase solo. Its staccato parallel chords with a hint of Latin flavor give the advancing performer an exciting showpiece.

Reassurance, composed by Rick Robertson, is an early intermediate level lyrical solo. It has a gentle sway in its rhythm, and a memorable melody. It could also be used as worship service music. It was inspired by the self-isolation and “social distancing” of the COVID-19 pandemic of 2020.

Wind Whirls, composed by Rick Robertson, is an early intermediate level showcase solo. Its passages divided between the hands give it a showy effect, with some interesting harmonies.

Valse Parisienne is a lyrical piano solo by Canadian composer Lisa Frederick. Inspired by Chopin’s Waltz in B minor, this waltz is ideal for intermediates of all ages and a great way to introduce the concept of rubato.

12-Toed Foe is a twelve-tone solo over a blues progression composed by Sarah Reaser O’Brien. This pieces serves as a great introduction to contemporary idioms and includes a glossary of terms and the twelve-tone matrix used in the piece.

Something Reminiscent, by British composer Joanne Griffiths, has a reflective, lyrical melody over a repetitive, pattern based accompaniment with influences of Max Richter. Based around the C minor triad there are technical demands of evenness of touch and balance between hands, with a little left over right crossing for dramatic effect.

Sun Suite, by Canadian composer Lisa Frederick, is a set of three contemporary lyrical solos celebrating the beauty of the sun at different points of the day. This set is ideal for intermediates of all ages and will function well as a set or as separate showcase solos.

Itsy Bitsy Tarantula is a slightly more disturbing version of Itsy Bitsy Spider composed by Stacy Fahrion. This piece is ideal for intermediates.

Interlude, by Rick Robertson, is a peaceful and pensive minor-key solo for intermediates. This piece is part of the Souvenirs songbook.

Insomniac’s Lullaby is a disturbing lullaby appropriate for Halloween or giving your parents strange nightmares. This whimsically macabre solo, composed by Stacy Fahrion, is ideal for intermediates.

If You Believe, composed by Rick Robertson, is an intermediate level solo in a neo-Romantic lyrical style. It is very effective in performance, and makes an excellent repertoire choice for a developing pianist. It can also be used in wedding or service playing.