Day Is Done

Memories, by Rick Robertson is an intermediate level solo in a neo-Romantic lyrical style. It is very effective in performance, and makes an excellent repertoire choice for a developing pianist. It could also be used as wedding or service music.

If You Believe, composed by Rick Robertson, is an intermediate level solo in a neo-Romantic lyrical style. It is very effective in performance, and makes an excellent repertoire choice for a developing pianist. It can also be used in wedding or service playing.

Intermezzo in E-Flat, composed by Rick Robertson, is an intermediate level lyrical Romantic solo suitable for students of all ages.

Space Waltz, composed by Ron Levy, is a delightful showcase solo for intermediates. This cinematic-style solo will serve as a great performance piece for recitals.

Intermezzo in B Minor, composed by Rick Robertson, is a late-intermediate-level solo in a neo-Romantic lyrical style. It has a calm, understated mood and is very effective in performance, and makes an excellent repertoire choice for recitals or festivals.

With an accompaniment inspired by the slow movement of Chopin’s Third Sonata, Ron Levy has composed a meditative piano solo with an enchanting melody in a stately setting. This intermediate level composition focuses on building and sustaining a long lyrical line over a steady, supportive left hand.

Night Song, composed by Rick Robertson is an early-intermediate level lyrical solo in a Romantic nocturne style. It is very effective in performance, and will make an excellent performance or festival selection for a developing pianist.

Reassurance, composed by Rick Robertson, is an early intermediate level lyrical solo. It has a gentle sway in its rhythm, and a memorable melody. It could also be used as worship service music. It was inspired by the self-isolation and “social distancing” of the COVID-19 pandemic of 2020.

Something More is an uplifting contemporary lyrical solo for intermediates by British composer Joanne Griffiths.

Imagination is an elegant lyrical showcase solo for late intermediates composed by British composer Jenny Walker.

Intermezzo in B, composed by Rick Robertson, is an intermediate level solo in a neo-Romantic lyrical style. It is very effective in performance, and makes an excellent repertoire choice for a maturing pianist. It gives the growing performer experience in a less-frequently encountered key, and could be used as wedding or service music as well.

Once Upon a Time is a whimsically macabre solo composed by Stacy Fahrion that is part of the songbook of the same title. This eerie showcase piece is ideal for early intermediates and beyond.

Something Reminiscent, by British composer Joanne Griffiths, has a reflective, lyrical melody over a repetitive, pattern based accompaniment with influences of Max Richter. Based around the C minor triad there are technical demands of evenness of touch and balance between hands, with a little left over right crossing for dramatic effect.

Tristesse, composed by Rick Robertson is an intermediate level lyrical solo. Its “nocturne” or “romance” style lends it to recital or festival performance, as well as in service playing.

Music Box is a lyrical solo by Sara Tomlinson in the key of A major. Much of the piece is written with both hands in the upper register, creating a light and airy feeling. The middle section gives the impression of the turning and spinning movement inside the music box. Listeners of all ages will enjoy the sounds and sentiments of the music box.

Un Souvenir, composed by Rick Robertson, is a left-hand only intermediate solo in a neo-Romantic lyrical style. Besides the benefit as a “pupil saver” for pianists with right-hand injuries, it gives any performer the opportunity to work on balancing melody and accompaniment in the same hand, and use of pedal to tie the texture together. It is very effective in performance, and makes an excellent repertoire choice for a developing pianist.

Valse Sentimentale is a pensive lyrical waltz composed by Rick Robertson that is ideal for early intermediates. This piece is part of the Reach for the Stars songbook.

This book presents strategies for learning to play polyrhythms, from the most common ones, such as two against three, up through four against five. It contains rhythm exercises, improvisation suggestions, and thirteen pieces based on polyrhythms. Once you’ve worked with the book, you might develop intense cravings for more polyrhythms, and may even be inspired to compose polyrhythmic pieces of your own.