Sheet Music composed by Rick Robertson
Barcarolle, composed by Rick Robertson, is a late intermediate level solo in a neo-Romantic lyrical style that evokes the music of Mendelssohn, in his Venetian Gondola Songs. It is very effective in performance, and makes an excellent repertoire choice for a developing pianist for recital or festival.
Digital Sheet Music
Barcarolle (Digital: Single User)
Barcarolle (Digital: Unlimited Reproductions)
|Method Book Match|
|Number of Pages||3|
About the composer
Rick Robertson holds a Bachelor’s degree in music with an emphasis in piano and voice. His finely-crafted piano music is featured on the National Federation of Music Clubs bulletin. In addition to teaching piano and composing, he is an avid record archivist and researcher, specializing in pianists active during the late–nineteenth and early–twentieth century.
You may also be interested in
“Picking Marigolds” is a composition written by Travis Lohmann. It explores the use of contemporary harmonies, alternating meters, as well as chordal extensions. While still providing a simple and flowing melody, it is taken through a variety of transformations both harmonic and melodic. Students and teachers alike will enjoy picking apart the musical sequences scattered throughout the piece, as well as the overwhelming sense of serenity this piece brings. Definitely could be used as an interlude for a recital program, or even for social gatherings.
A Wise Old Owl
A Wise Old Owl is inspired by a nursery rhyme of the same title and set here as a whimsically macabre solo for intermediates by Stacy Fahrion. If you’re playing on a grand piano, before beginning the piece you can silently depress the low F octave and sustain it throughout with the sostenuto pedal for an added mysterious effect. This is an optional effect, and the piece still works well without it. The damper pedal is often left down for extended periods of time as well for a swirling effect.
Portrait No.2, Spirited Castle is a late intermediate solo composed in the likes of Joe Hisaishi. Students will enjoy the bright and upbeat jazz waltz feel, soaring melody, as well as exploring scintillating quartal harmonies in left hand accompaniment. This piece is perfect for openers or dramatic finishes at recitals, festival solos, and more!
Picking Daisies, composed by Travis Lohmann, is a light-hearted and jovial jazz-influenced waltz appropriate for mid-intermediate to advanced pianists, and focuses on such concepts as: cantabile legato lines, syncopated rhythms, dynamic expressivity, left and right hand leaps, triplet passage work and rolled chords. Best suited as a showcase solo, the highlight of this piece is the written-out solo over the chord changes, sure to dazzle the audience. With dexterous phrases, catchy melodic segments, and infectious rhythms, this piece is certain to brighten your day and those nearby!
Picking Lilacs, composed by Travis Lohmann, features light influences of jazz, as well as lyrically phrased melodies. Best suited for mid to late-intermediate pianists, this composition can work both as a contemplative opener for a concert, as well as middle interlude between selections. The light-hearted tone of this piece, as well as its whimsical nature is sure to be a perfect performance piece for any concert.
Wistful Waters is a late-intermediate to early-advanced piano work composed by Travis Lohmann. It merges together minimalistic styles as well as elements of French Impressionism, while still focusing on lyrical phrasing and robust melodies. It is a wonderful work with a shimmering beginning, a vigorously emotional middle, and a tempestuous ending. Students will absolutely be enraptured by the ending cadenza. Teachers will enjoy instructing students on various techniques such as: hand-crossing, polyrhythms, rhythmic evenness, and even tremolo!
Polyrhythms for Pianists
This book presents strategies for learning to play polyrhythms, from the most common ones, such as two against three, up through four against five. It contains rhythm exercises, improvisation suggestions, and thirteen pieces based on polyrhythms. Once you’ve worked with the book, you might develop intense cravings for more polyrhythms, and may even be inspired to compose polyrhythmic pieces of your own.
Waltz for a Six-Legged Octopus
Waltz for a Six-Legged Octopus by Stacy Fahrion begins whirling gently in 6/8 time, but the real hexapus waltzing starts when the piece shifts to 9/8. This waltz, ideal for intermediates, is for anyone who has ever felt like they’re missing something that everyone else has.