Cruisin’

On Your Case by Lisa Frederick is a minor-key jazzy showcase solo for late intermediates of all ages. Ideal for students who want spy-themed pieces, this will be a sure-fire hit at your next recital!

Something Wicked This Way Strides is an exuberant, late intermediate solo that evokes the Roaring Twenties. Pianists will not only train their left hand to play typical stride leaps, they’ll also learn a few tricky bits of Chopin’s <em>Etude in A Minor, Op. 10, No. 2</em>, while they’re at it!

Fun Run by British composer Jenny Walker is a fairly fast advanced level showcase solo. The spirit of a fun run is captured here, with interesting harmonies as the runners twist and turn and an underlying pace for everyone to follow.

Chaos by Lisa Frederick is the perfect showcase solo piece for your students who are begging for fast and flashy minor-key pieces. Ideal for late intermediates of all ages, this will be a hit at your next recital!

All aboard! Choo-Choo-Boogie is a blues-boogie style piano solo by Canadian composer, Lisa Frederick. This showcase solo, ideal for advancing intermediates will delight students of all ages!

Summer Dance is an MTAC Composers Today award winning composition by Lisa Donovan Lukas. A light, jazzy, energetic contemporary solo, it is a perfect showcase piece for the late intermediate student of any age!

Dance of the Loons, by Debbie Center, was inspired by the wail and tremolo calls of the loons on her northern Minnesota lake. The piano mimics the calls of the loons in this hauntingly beautiful tribute to Minnesota’s state bird. This piece is on Debbie’s CD entitled “In Harmony All Ways.”

Keep the Change is a lyrical jazz waltz in B minor with a written out improvisation. Great as a launching point for intermediates into jazz studies.

Three Moods for Piano, composed by Rick Robertson, is an late intermediate level triptych in a percussive twentieth-century style. The outer movements, both crisp and rhythmic (the first in constantly changing meters) flank a short, expressive middle movement. It is very effective in performance, and makes an excellent repertoire choice for a developing pianist.

Inner Turmoil is a fury-filled, fast and flashy advanced showcase piano solo by Canadian composer, Lisa Frederick. Perfect for teens looking for an impressive spotlight solo for their next performance.

Taken Aback is an elegant lyrical showcase solo for late intermediates composed by British composer Jenny Walker.

Nice Little Monster is a bluesy piece by Stacy Fahrion about a creature that is tired of being called a little monster. Ideal for intermediates of all ages.

Little Tarantella, composed by Jenny Walker, mimics the Italian style of folk dance that has an upbeat, triple time tempo accompanied by tambourines. This lively solo is ideal for advancing intermediates of all ages.

Get your body moving with this upbeat boogie-style solo by Paul Sweet. It’s great for working on syncopations, building left-hand agility, teaching the blues scale, and having some major fun!

Lullabies for Arachnophobes by Stacy Fahrion is a whimsically macabre collection written in homage of spindly spiders of all shapes and sizes. Rife with quirky rhythms, harmonies, and re-spindled versions of spidery classics, this collection will delight advanced players of all ages.

July is a ragtime solo for intermediate pianists composed by Sarah Reaser O’Brien.It is ideal study material for those who would enjoy historical rags but need a more manageable arrangement and hand span than those typically offer. There is syncopation throughout all of the three principle melodies with a steady quarter note accompaniment in the left hand for the majority of the piece.

Ah, Capella! is a dream-like piece by Debbie Center, inspired by gazing at Capella, one of the brightest stars in the northern sky. Its lush jazz chords fit easily in the hands.

Waltz Divine, composed by Jenny Walker, is in the style of a grand waltz. Rubato is encouraged, especially when it comes to reaching the distance in the left hand. The opening section has a catchy and memorable theme. The quieter, second section, is brief and the first idea soon reappears to conclude the piece. This selection is ideal for late intermediates.