Monday’s Child

Something on the Slide is a Satie-esque waltz composed by British composer Joanne Grifiths. The accompaniment is built on two positions, C and G, with octave leaps from the bass to the chord. Awareness of balance between the hands is needed for this, to bring out the melody.

Chopin’s iconic Nocturne in F Minor, Op. 55, No. 1, remixed in a modern lyrical spin by Jennifer Eklund. This mild and mellow abridged version is ideal for intermediate level pianists.

Interlude, by Rick Robertson, is a peaceful and pensive minor-key solo for intermediates. This piece is part of the Souvenirs songbook.

Reassurance, composed by Rick Robertson, is an early intermediate level lyrical solo. It has a gentle sway in its rhythm, and a memorable melody. It could also be used as worship service music. It was inspired by the self-isolation and “social distancing” of the COVID-19 pandemic of 2020.

By the River, by Rick Robertson is an intermediate solo in a neo-Romantic lyrical style. Its gentle rocking in the left-hand accompaniment suggests the gentle flow of a river. It is very effective in performance, and makes an excellent repertoire choice for a developing pianist and could also be used as service music.

Ebb & Flow is a collection of eleven contemporary solos by British composer, Joanne Griffiths. Intermediates of all ages will enjoy exploring the various genres encapsulated in this collection of ambient solos.

Valse Sentimentale is a pensive lyrical waltz composed by Rick Robertson that is ideal for early intermediates. This piece is part of the Reach for the Stars songbook.

Lullaby, composed by Joanne Griffiths, is a lyrical and expressive piece, suitable for an intermediate player. It is based on the primary chords of D major, with the occasional chromatic twist.

Something like Glass, written by British composer, Joanne Griffiths is a study in consistent and even playing of triplets in the right hand, with changing clefs in the left hand that explore the outer areas of the keyboard. Intermediates will enjoy the essence of Philip Glass that flows through this evocative solo.

Something Reminiscent, by British composer Joanne Griffiths, has a reflective, lyrical melody over a repetitive, pattern based accompaniment with influences of Max Richter. Based around the C minor triad there are technical demands of evenness of touch and balance between hands, with a little left over right crossing for dramatic effect.

Beethoven’s iconic Moonlight Sonata in a modern lyrical spin arranged by Jennifer Eklund. This mild and mellow version, transposed to the key of D minor, is ideal for intermediate level pianists.

Day is Done, composed by Rick Robertson, is an intermediate level solo in a neo-Romantic lyrical style. A slow-moving theme with harmonic richness contrasts with a middle section that presses forward, returning to the first theme for a conclusion. This is appropriate for recital or festival, in addition to worship services as a prelude or offertory.

Sky, composed by Chrissy Ricker, is an elegant lyrical solo for intermediates. This piece is part of the “Three Sketches in Blue” suite that is included in the Rhapsodies and Reveries Volume Two songbook.

Look to the Sky, composed by Rick Robertson, is a lyrical, elementary level solo. It has the bonus of an optional duet/obligato part, playable on piano, flute, or violin.

Those Who See, But Are Not Seen is a melancholy solo for sad ghosts composed by Stacy Fahrion. This piece is ideal for intermediates of all ages.

Intermezzo in B, composed by Rick Robertson, is an intermediate level solo in a neo-Romantic lyrical style. It is very effective in performance, and makes an excellent repertoire choice for a maturing pianist. It gives the growing performer experience in a less-frequently encountered key, and could be used as wedding or service music as well.

The Exquisite Melancholy of Everything Left Unuttered is a delicate waltz in E minor composed by Stacy Fahrion. There is an optional cut notated in the score to accommodate students at a lower intermediate level.

Regrets, composed by Rick Robertson, is an intermediatelevel solo in a neo-Romantic lyrical style. It features a melody in light jazz style featuring some parallel seventh chords, often in stepwise motion. Its sophisticated sound will also appeal to teens and adults. This piece is part of the Kaleidoscope Volume 2 songbook.