Something Reminiscent

Chopin’s iconic Nocturne in F Minor, Op. 55, No. 1, remixed in a modern lyrical spin by Jennifer Eklund. This mild and mellow abridged version is ideal for intermediate level pianists.

Beethoven’s iconic Moonlight Sonata in a modern lyrical spin arranged by Jennifer Eklund. This mild and mellow version, transposed to the key of D minor, is ideal for intermediate level pianists.

Something like Glass, written by British composer, Joanne Griffiths is a study in consistent and even playing of triplets in the right hand, with changing clefs in the left hand that explore the outer areas of the keyboard. Intermediates will enjoy the essence of Philip Glass that flows through this evocative solo.

Ebb & Flow is a collection of eleven contemporary solos by British composer, Joanne Griffiths. Intermediates of all ages will enjoy exploring the various genres encapsulated in this collection of ambient solos.

Something on the Slide is a Satie-esque waltz composed by British composer Joanne Grifiths. The accompaniment is built on two positions, C and G, with octave leaps from the bass to the chord. Awareness of balance between the hands is needed for this, to bring out the melody.

Valse Sentimentale is a pensive lyrical waltz composed by Rick Robertson that is ideal for early intermediates. This piece is part of the Reach for the Stars songbook.

Interlude, by Rick Robertson, is a peaceful and pensive minor-key solo for intermediates. This piece is part of the Souvenirs songbook.

Monday’s Child is a suite of seven character pieces, composed by Joanne Griffiths, based on the children’s traditional British fortune-telling poem “Monday’s Child.” It is contemporary in style, particularly influenced by Ludovico Einaudi and Arvo Part. The pieces are mainly light and gentle in mood with meditative patterns, sequences, imitation and repetition at the core and topped with lyrical melodies, portraying the character of each child for that day.

Reassurance, composed by Rick Robertson, is an early intermediate level lyrical solo. It has a gentle sway in its rhythm, and a memorable melody. It could also be used as worship service music. It was inspired by the self-isolation and “social distancing” of the COVID-19 pandemic of 2020.

By the River, by Rick Robertson is an intermediate solo in a neo-Romantic lyrical style. Its gentle rocking in the left-hand accompaniment suggests the gentle flow of a river. It is very effective in performance, and makes an excellent repertoire choice for a developing pianist and could also be used as service music.

Lullaby, composed by Joanne Griffiths, is a lyrical and expressive piece, suitable for an intermediate player. It is based on the primary chords of D major, with the occasional chromatic twist.

Simple Love Song, composed by Ron Levy, is an elegant solo that will delight intermediates of all ages.

Ocean, composed by Sara Tomlinson, is a showcase lyrical solo for intermediates. This piece is part of the Creation Collage songbook.

Simply Sung, composed by Rick Robertson is an intermediate level solo in a neo-Romantic ambient style. The syncopated accompaniment adds a rocking motion to the right-hand melody. This piece, a favorite of the composer, can also be used in service playing or wedding ceremonies. This selection is part of the Souvenirs songbook.

Wind Whirls, composed by Rick Robertson, is an early intermediate level showcase solo. Its passages divided between the hands give it a showy effect, with some interesting harmonies.

Winds of Change, composed by Ryan Chesser, is an elegant lyrical solo for intermediates. This selection is part of the Winds of Change songbook.

Awkward Waltz is a tender, minor-key anthem for introverts composed by Stacy Fahrion. This contemplative gem will be a hit with teens and intermediates of all ages.

Introspection, composed by Rick Robertson is an intermediate level ambient solo with a mature sound. An opening lyrical, chordal section contrasts with a middle section featuring displaced accents. It also gives the performer an opportunity to experience the key of E-flat minor in a less intimidating setting.