Jenny Walker

Nuances by Jenny Walker is a collection of ten contemporary lyrical pieces depicting the beautiful things in life and reminiscent of childhood. Gazing up at the clouds, making time for a little play, daydreaming and staring in wonder at nature all provide a welcome diversion from the world’s troubles. They are written for the late-intermediate pianist and contain subtle harmonies and textures.

Shape Up is a collection of twelve showcase-style technical studies composed by Jenny Walker. These pieces explore a variety of tonal centers and time signatures and will serve as an important collection for early intermediates and beyond.

The Wellspring suite, composed by Jenny Walker, depicts the journey of a mountain stream, from its humble beginnings high up in the hills of County Down, all the way to its final destination where it flows into the sea. Within them are snippets of Irish style reels, jigs, and songs, resulting in a varied and beautiful collection for intermediates.

Mood Swings is an evocative collection of twelve character pieces composed by Jenny Walker. These contemporary solos for late-intermediate and advanced pianists provide a delightful landscape of harmonies and contemporary stylings that span a variety of genres.

Daydream, composed by Jenny Walker, is an elegant contemporary lyrical solo for intermediates. This piece is part of the Nuances songbook.

Peaceful Slumber, composed by Jenny Walker, is an elegant lyrical solo for intermediates that serves as an excellent introduction to playing in 5/8 time.

Calm, composed by Jenny Walker, is a peaceful meditative solo for intermediates. The left hand provides a gentle, rocking accompaniment, much of which is in the treble clef. The mood is fairly constant throughout and there is room for some rubato when the left hand reach increases towards the middle of the work.

Tango in D, composed by Jenny Walker, starts with a typical tango introduction followed by a precise, rhythmic accompaniment with a sustained melody taken by the upper right hand. The piece contains a certain cheeky-feel combined with the passion of a tango. This selection is ideal for intermediates.

Waltz Divine, composed by Jenny Walker, is in the style of a grand waltz. Rubato is encouraged, especially when it comes to reaching the distance in the left hand. The opening section has a catchy and memorable theme. The quieter, second section, is brief and the first idea soon reappears to conclude the piece. This selection is ideal for late intermediates.

Slow Rumba, composed by Jenny Walker, is a sassy Latin-style solo full of fun and catchy rhythms. This solo is ideal for intermediates.

Little Tarantella, composed by Jenny Walker, mimics the Italian style of folk dance that has an upbeat, triple time tempo accompanied by tambourines. This lively solo is ideal for advancing intermediates of all ages.

Valse Latina, composed by Jenny Walker, an energetic fast waltz for intermediates. This showcase solo will appeal to students of all ages!

Get That Train! is an upbeat swinging trio for early intermediates composed by Jenny Walker. Includes a full conductor’s score and parts for each player to practice separately.

This Old Man arranged as an upbeat easy trio for late beginners by Jenny Walker. Includes a full conductor’s score and separate parts for individual practice.

Imagination is an elegant lyrical showcase solo for late intermediates composed by British composer Jenny Walker.

Taken Aback is an elegant lyrical showcase solo for late intermediates composed by British composer Jenny Walker.

This is a rock-style, funky piece with a Celtic-like melody and snatched right hand chords. The dotted rhythm in the left hand provides a drive throughout. There is a contrapuntal section where the right hand plays the melody along with a similar one in the left, possibly the hardest part of this work. It is great fun to play, in a true flashy showcase style.

This hornpipe composed by Jenny Walker is a lively piece, depicting a jolly sea dance on the deck of a pirate ship. Captain Conrad is fictitious and is portrayed as a cheeky chap. The middle section is a smoother, minor feel, depicting the rolling waves as the ship becomes unsteady.

Disjointed Waltz, composed by Jenny Walker, is an evocative waltz with a few surprises. It contains some dynamic time and key changes. It has been written with the advanced player in mind, though rubato could be used to make things easier. The changeover to 6/8 works well and the syncopated rhythms are very effective.

Fun Run by British composer Jenny Walker is a fairly fast advanced level showcase solo. The spirit of a fun run is captured here, with interesting harmonies as the runners twist and turn and an underlying pace for everyone to follow.

This is a free-flowing piece with elements taken from the Scottish folk song ‘Mairi’s Wedding’ which then develop into a unique melody which pervades the rest of the work. It starts innocuously, with some off-beat chords in the left hand whilst the right plays the tune and develops into a more regularly metered, dance section. The wedding gains momentum and an element of Irish cheek is heard throughout. A lovely piece for all to enjoy.

Sand Dance is a quirky little piece with a slightly Arabian feel. Written by British composer Jenny Walker, it fluctuates between the tonal centers of D and E minor. It is lyrical and rhythmic, with the melody existing in the right hand.

Spooky Goings On, composed by Jenny Walker is an evenly-leveled duet for two intermediate players. There is no key change, merely the requirement to maintain a slowish, steady beat, provided mainly by the secondo player. Whether it’s ghosts, witches, or spiders that come to mind, this piece will be enjoyed by students and teachers alike.

Pearls by Jenny Walker is a beautifully lyrical gem of a piece, and forms a delightful intermezzo. Its simplicity and expressiveness provides an emotional escapism for intermediate players. The main harmony base fluctuates between minor and major keys, creating a beautiful melody which itself is merely a simple motif.