Sheets of Glass

Falling Leaves is an intermediate level lyrical contemporary solo that is part of the Shades of You and Impressions songbooks. Music by Jennifer Eklund.

Cheaha Skyline, by Rick Robertson, is an intermediate level lyrical piano solo, written in homage to his home state of Alabama. Cheaha Mountain, at 2,413 feet, is the highest point in Alabama.

Day’s End, composed by Rick Robertson is an intermediate level ambient, light jazz solo with a mature" sound. This piece will appeal to teens and adults as well.

Reminiscense, composed by Rick Robertson, is an early intermediate level lyrical solo. It has a haunting melody with a contrasting middle section.

Faith, composed by Rick Robertson, is an intermediate reflective lyrical solo. Its melody and mood make it equally suitable for recital or service use.

Beethoven’s iconic Moonlight Sonata in a modern lyrical spin arranged by Jennifer Eklund. This mild and mellow version, transposed to the key of D minor, is ideal for intermediate level pianists.

Hymne, composed by Rick Robertson, is a lyrical solo with a mature sound. It is highly melodic and suitable for recital or service use.

May You Find Your Peace, by Rick Robertson, is an intermediate level lyrical solo. The composer aimed to write a solo with a peaceful, soothing mood for times when a pianist just needs to be “alone with their instrument.” Although it is “very personal,” it is suitable to be shared in a worship service or a recital.

Monday’s Child is a suite of seven character pieces, composed by Joanne Griffiths, based on the children’s traditional British fortune-telling poem “Monday’s Child.” It is contemporary in style, particularly influenced by Ludovico Einaudi and Arvo Part. The pieces are mainly light and gentle in mood with meditative patterns, sequences, imitation and repetition at the core and topped with lyrical melodies, portraying the character of each child for that day.

Something on the Slide is a Satie-esque waltz composed by British composer Joanne Grifiths. The accompaniment is built on two positions, C and G, with octave leaps from the bass to the chord. Awareness of balance between the hands is needed for this, to bring out the melody.

Reflection is a lyrical solo by Sara Tomlinson with a reflective quality. The piece is in 6/8 time in the key of A minor. The listener could easily get lost in the melody, which is supported by a hypnotic left-hand accompaniment.

Longing for Spring, composed by Sara Tomlinson, is an elegant lyrical solo for intermediates. This piece is part of the Creation Collage songbook.

Wistfully, by Rick Robertson, is an intermediate level lyrical solo. It is written in a “romantic movie” style, and will make a nice brief recital solo, or as a musical interlude in a worship service.

October is an intermediate new age piece by Sarah Reaser O’Brien, NCTM. The constantly moving triplet figures in both hands are meant to evoke the swirling motion of colorful autumn leaves blowing about in the breeze. Rather than centering on a traditional melodic line, October allows students to create a mood or effect by experimenting with dynamic inflection and rubato to vary each performance. Dynamic indications in the score are merely suggestions – performers are meant to make this free-flowing piece their own.

Farewell, composed by Ryan Chesser, is an elegant lyrical solo for intermediates. This selection is part of the Winds of Change songbook.

Babbling Brook, composed by Sara Tomlinson, is an elegant lyrical solo for intermediates. This piece is part of the Creation Collage songbook.

Evening Elegy, composed by Chrissy Ricker, is a lyrical gem with a rhapsodic middle section and plenty of room for students to work on lyrical phrasing and rubato. This intermediate level solo is part of the Rhapsodies and Reveries Volume Two songbook.

The Secret is a mysterious, minor-key lyrical solo for early intermediates of all ages by Jennifer Eklund. This elegant piece offers the opportunity for budding musicians to explore nuanced harmonies and work on expressive playing and use of rubato. This piece is part of the Shades of You songbook.